Minor References in ASOIAF

Minor References in ASOIAF

by Bluetiger

Originally published on February 29, 2020 at FSGK in Polish as Pomniejsze nawiązania w PLIO.


In A Song of Ice and Fire we come across a multitude of references – historical, literary, mythological and others. Some call our attention to parallels on a deeper level or serve as hints as to what the author’s inspirations were. There are those to which entire texts or even cycles of essays could be devoted. In the last couple of months I have presented several references in such way. However, in today’s article I have decided to approach this topic differently. The reason for doing so is simple enough – in George R.R. Martin’s works there are so many references, homages and allusions that in individual episodes I would be able to discuss but a small fraction them. Furthermore, some are so “minor” and clear that an article solely about them would have to be either ludicrously short or impossibly padded out.

For those two reasons this time instead of a unified essay I have created a list of characters which, at least in my view, might have been intended as allusions of various kinds. Of course, it might sometimes be the case that we are dealing with mere coincidence, with random similarity of names without any significance. There are also such references which appear so obvious that one can safely assume they are indeed intentional.

Needless to say, it is not my aim to enumerate every single homage included in the five ASOIAF volumes published thus far, and related works such as The World of Ice and Fire. Also, my list does not contain every single reference belonging to some specific category, i.e. historical figures. While compiling it, I had no particular key in mind, though as it turned out that topics connected with Norse Mythology, or – to be more precise – the wider Germanic Mythology, are prevalent. I suppose this is due to the fact that recently I have been focused on it, and my reading, listening and watching choices reflected that.

I think it is a good moment to stress that George R.R. Martin himself knows Norse Myth very well, since – as he mentions in “Dreamsongs” – while studying he attended a course in History of Scandinavia, during which he has read both Eddas and some of the sagas, which he enjoyed, as they reminded him of Tolkien’s works. This might explain the depth of some of his allusions and the fact that they sometimes refer to lesser known details.

References listed below are largely my own observations – though I would not be surprised if there were people, perhaps even quite numerous, who have noted them before I did. When I was aware that someone has written about some homage or allusion, I included the nickname of that person in square brackets.

Bluetiger


Michael Zeno Diemer - Okręty wikingów u skalistego wybrzeża

Michael Zeno Diemer, “Viking Ships Off A Rocky Coast” (Wikimedia Commons).


***

Hrothgar of Pyke – this legendary king from the Iron Islands, who supposedly possessed a kraken-summoning  horn, bears the same name as King Hrothgar of the Scyldings, an important figure in Beowulf, the Old English epic poem.

Wulfgar Hoare – another Ironborn monarch whose name might be a reference to Beowulf, where Wulfgar is one of Hrothgar’s retainers. In The World of Ice and Fire two Othgars are mentioned directly after Wulfgar.

Gendel – King-Beyond-the-Wall, whose name, and to a degree also history, might evoke Grendel one of Beowulf’s opponents. (I wrote more on the topic in my Polish article Taniec z Mitami: G(r)endel i Gorne [A Dance with Myths: G(r)endel and Gorne]

Ser Byron the Beautiful – a knight in the service of Petyr Baelish, introduced to Sansa together with Shadrick and Morgarth – Lord Byron, that is George Gordon Byron, 6. Baron Byron, remarkable English poet of the Romantic period. [Blue-Eyed Wolf in Their Gallantry is Yet to be Demonstrated]. I noticed that in ASOIAF there is another character of that name, Ser Byron Swann, who made an attempt to replicate Serwyn of the Mirror Shield’s feat and slay Vhagar during the Dance of the Dragons, but failure to do so cost him his life.

Maester Yorrick – author of Wed to the Sea, a history of White Harbor. Also: Yorick Yronwood, one of Dornish kings defeated and banished to the Wall by Nymeria – Yorick, fool whose skull is held by the prince in a memorable scene from the Hamlet [LML].

Elissa Farman – Elissa is a name of one of the principal characters in The Aeneid, she is more widely known as Dido.

Aenar Targaryen – Aeneas, legendary survivor from the Sack of Troy and progenitor of the Romans. I explore parallels between the two in more detail in Aenar’s Aeneid.

Dagon Drumm the Necromancer, Dagon Codd, Dagon Ironmaker, Dagon Greyjoy (Lord Reaper of Pyke during the reign of Aerys I), Dagon Greyjoy (known as the Drunkard, Asha’s cousin) – Dagon, a deity in the beliefs of the ancient Middle East mentioned in the Bible. In the works of Howard Philips Lovecraft Dagon is a monstrous creature from the depths, mentioned in short stories Dagon and The Shadow over Innsmouth.

Gorm the Wolf, chieftain of the Wildlings from Hardhome – Gorm the Old, Danish king from the 10th century.

Arwen Upcliff, Arwyn Frey, Arwyn Oakheart – Arwen from Tolkien’s Legendarium, daughter of Elrond and Celabrian, spouse of Aragorn and Queen of Gondor.

***

Sauron Salt Tongue, a priest of the Drowned God – Sauron the Dark Lord

Ygg, dreadful tree that fed on human flesh, defeated by the Grey King who used its white wood to build the first longship – Yggdrasil, the World Tree from Norse Mythology.

Ygon Oldfather – Wildling chieftain, head of a clan which consists chiefly of his own descendants (Ygon has eighteen wives) – Yggr, the Terrible One, one of Odin’s numerous names. Thus, Yggdrasil might mean “Odin’s horse”. Oldfather sounds somewhat similar to two other names of Odin, Alföðr (sometimes translated as Allfather) and Aldaföðr (Father of Men).

Ygritte – perhaps another reference to Odin-Ygg, “rite” might some from rite as in “ritual”.

Cromm, one of Asha Greyjoy’s warriors – Crom Cruach, a deity from Irish Mythology. According to some tales, human sacrifices were made to him on Samhain (Halloween). In one legend, it was Saint Patrick who put an end to the idol’s worship by smashing its figurine with a hammer.

Archmaester Cassander, author of Song of the Sea: How the Lands Were Severed. According to his theory, the Arm of Dorne was not submerged by the Hammer of the Waters summoned by the Children of the Forest, but instead due to a natural process of ice melting in the far north of the Shivering Sea, which led to rise in sea levels. Also: Cassandra Baratheon, whom Aegon II was supposed to marry. Possibly: Casanna Baratheon, mother of Robert, Stannis and Renly – Cassandra, daughter of Priam in Greek Mythology. Her prophecies would always come true, but no one believed her because of Apollo’s curse.

Uthor of the High Tower, legendary founder of House Hightower. Also: Maester Uthor of Dreadfort and Ser Uthor Underleaf from The Mystery Knight – Uther Pendragon, father of King Arthur.

Baldric I Durrandon, called The Cunning, Storm King mentioned in AWOIAF. Septon Baldrock, one of Jaehaerys’ Seven Speakers – Baldrick from the TV series Blackadder.

Khal Temmo – perhaps Temüjin, that is Genghis-khan.

Eglantine, septa accompanying Myrcella in Dorne, and possibly also Septa Aglantine mentioned in the Appendix of A Dance with Dragons – Eglantine, prioress from The Canterbury Tales by Geoffrey Chaucer.

***

Earl Harlaw, crewman of Asha Greyjoy’s ship – “earl”, English title of nobility.

Jarl, Val’s lover – “jarl” is the Old Norse equivalent of Old English “eorl”, from which “earl” is descended. In the Eddaic poem “Rígsþula” Heimdall divided the society into three classes: the jarls (rulers), the karls (free farmers) and the thralls (slaves). In ASOIAF that final term is used for bondsmen of the Iron Islands.

Walton Steelshanks, captain of Roose Bolton’s guard who escorts Ser Jaime back to King’s Landing – Captain Robert Walton, explorer with whom Doctor Victor Frankenstein shares his story in Frankenstein or, The Modern Prometheus by Mary Wollstonecraft Shelley. In ASOIAF Qyburn and his own “monster” are probably inspired by Frankenstein and his creature. Just like the former maester, Walton Steelshanks was in the service of lord Bolton and later accompanied Jaime to the capital.

Tycho Nestoris, Braavosi banker and emissary of the Iron Bank to Stannis Baratheon – Tycho Brahe, the great Danish astronomer.

Maester Nicol, proponent of a theory arguing that seasons once had regular length and determined on which side of the globe faced the Sun – Mikołaj Kopernik (Nicolaus Copernicus).

Maester Egbert, author of Justice and Injustice in the North: Judgments of the Three Stark Lords – Ecgberht, King of Wessex

Maester Balder, who served in Eastwatch when Osric Stark was Lord Commander, author of The Edge of the World, a collection of legends – Baldr, son of Odin and Frigg in Norse Mythology, inadvertently killed by blind Höðr has a result of Loki’s intrigue.

Hother Umber, known as the Crowfood – Høtherus is a name under which Höðr is featured in Gesta Danorum by Saxo Grammaticus. Hodor’s name might also be connected with this figure.

Maester Hubert, author of Kin of the Stag in which he writes, among other things, about Ser Galladon – Saint Hubertus, patron saint of hunters, who according to legend saw a white stag with a crucifix between its antlers.

Halleck, brother of Harma Dogshead – Guerney Halleck from Dune by Frank Herbert.


Edward Moran - Armada Wikingów

Edward Moran, “Viking Armada” (Wikimedia Commons)


***

Nestor Royce – in The Odyssey Nestor is a King of Pylos renowned for his wisdom. In ASOIAF, Pylos is a young maester who provides aid to Cressen at Dragonstone.

Myranda Royce – Miranda from The Tempest by Shakespeare.

Joyeuse Erenford, eighth wife of Lord Walder Frey – In The Song of Roland Joyeuse is the name of Charlemagne’s sword, while in Arthurian legend Joyeuse Garde is Lancelot’s castle, later renamed Dolereuse Garde. GRRM’s Tower of Joy might be a reference to this place.

Lancel Lannister – Lancelot, one of the Knight of the Round Table, who betrays his liege by becoming involved in an affair with Queen Guinevere. Similarly, Lancel becomes Queen Cersei’s lover.

Othor (ranger of the Night’s Watch whose dead body comes alive and attacks Lord Commander Mormont), Otter Gimpknee (innkeep of Lordsport on Pyke) – Ótr (otter), son of Hreiðmar and brother of Fafnir and Regin in Norse Myth. He is a skinchanger who catches fish in the form of an otter. While doing so, he is killed by Loki who threw a stone at him, believing him to be a normal animal.

Isembard Arryn, known as the Gilded Falcon, head of House Arryn of Gulltown during the Regency of Aegon III – Isembard Took, brother of Belladonna, mother of Bilbo Baggins.

Sargon Botley – Sargon, King of Akkad.

Margot Lannister – Margaret of Valois, Queen of France, known as Queen Margot (La Reine Margot), largely because of a novel of the same title by Alexandre Dumas the Father.

Dareon (singer of the Night’s Watch), Daeron (several members of House Targaryen of that name) – Daeron, minstrel in the court of King Thingol of Doriath in The Silmarillion by J.R.R. Tolkien, featured in the story of Lúthien.

Meliana from Mole’s Town (called Lady Meliana) – Melian, Queen of Doriath, wife of Thingol and mother of Lúthien.

***

Noho Dimittis – the surname of this Braavosi banker who negotiates with Cersei might come from the words “Nunc dimittis” which open a passage from the Gospel of St. Luke known as the Canticle of Simeon: “Now, Master, you let you servant go in peace (…)”.

Tom Barleycorn, ranger of the Night’s Watch – John Barleycorn, personification of barley in English and Scottish folklore.

Sigfryd Harlaw – hero from one of Germanic legends, slayer of Fafnir the dragon. In Old Norse his name is Sigurðr (hence Sigurd), in German it is Siegfried.

Norne Goodbrother – perhaps a reference to the Norns, Norse goddesses of fate. One of GRRM’s short stories from the Tuf Voyaging series is entitled A Beast for Norn. That Norn is Herold Norn, member of a noble house from the planet Lyronica.

Gran Goodbrother, one of triplet sons of Gorold Goodbrother, Lord of Hammerhorn whose meeting with Aeron Damphair is featured in A Feast for Crows – Grani, Sigurd’s horse.

Ser Theodan Wells, commander of Warrior’s Sons, a military order of the Faith Militant – Théoden, King of Rohan.

Walder Frey – Walder might be a from of Walter, a Germanic name which might be translated as “ruler/wielder of armies”. (i.e. the Old English poem about a hero known as Walter of Aquitaine bears the title Waldere). In A Game of Thrones jokes are made about how Walder Frey is the only lord in the Seven Kingdoms who could field an entire army “out of his breeches”, as he has so many descendants.

Waltyr Frey, known as Tyr – Týr, one of the Norse gods.

Bluetooth, sailor from Lordsport – Harald Bluetooth, King of Denmark and Norway, son of the aforementioned Gorm the Old and father of Sweyn Forkbeard.

Rowena Arryn, second wife of Jon Arryn – Lady Rowena from Ivanhoe by Sir Walter Scott.

***

Helya (steward of the Greyjoy castle on Pyke) – Hel, ruler of the realm of the dead in Norse Mythology.

Pate the Plowman – the name of this Westerosi folk hero might be a reference to the Middle English poem by William Langland entitled Piers Plowman.

Galon Whitestaff, priest of the Drowned One – perhaps Gandalf.

Khal Drogo – Drogo Baggins, Frodo’s father. (I wrote more on this topic in my Polish article Talassofobii khala Drogo przyczyny [On the Causes of Khal Drogo’s Thalassophobia].

Harle the Hunter and Harle the Handsome, Wildlings who arrive in Castle Black following Jon’s decision to allow the Free Folk to cross to the other side of the Wall) – Herla Cyning (King Herla), legendary Briton monarch who travels to attend the wedding of a dwarvish king and disappears with his party when they ride into an opening in a cliff. Following a feast which seemingly lasts for three days, Herla returns to the outside world, but before he leaves, the dwarvish lord gives him a hound and warns him that none of his men should dismount before the dog leaps from the saddle and touches the ground first. When they return, it turns out that three centuries have passed and the Saxons now rule Britain. Some of the king’s men dismount, but as soon as they touch the ground, they turn to dust. The hound shows no intention of jumping down itself, so Herla and his remaining companions are forced to endlessly wander around the world as members of the Wild Hunt.

Harlon the Hunter and Herndon of the Horn – legendary founders of House Tarly – Herne the Hunter, a figure from Berkshire folklore mentioned by Shakespeare [LML].

Regnar Drumm, called the Ravenfeeder; Rognar Greyiron, Ragnor Pyke – Ragnarr is an Old Norse name, GRRM might be referencing the famous Ragnar Loðbrók when he uses it. He might also have ragnarök in mind.

Vargo Hoat – the name of this character might come from the word “warg”, which was popularized in fantasy literature by J.R.R. Tolkien, or – to be more precise – from the Old Norse “vargr” on which Tolkien modeled his word when he “resurrected” the Old English “wearg” in a modern form.

Hugor of the Hill, known in Pentoshi legend as Hukko, hero who defeated the swan-maidens attacking travelers – GRRM may have been inspired by figure from Germanic stories, Wayland the Smith, who married a “swan-maiden”; who in another version of the tale is a Valkyrie. Ukko is a Finnish sky-god.

Salladhor Saan and Septon Cellador – these are likely references to “cellar door” which often comes up in discussions about English words and phrases that have the most pleasant sound regardless of their meaning. Tolkien wrote about the phonoaesthetic quality of “cellar door”, and during last year’s discussion panel about the movie “Tolkien” hosted by GRRM, the writer mentioned that he enjoyed a scene involving “cellar door”. J.R.R. Tolkien shared in one interview that he could turn “cellar door” into a name, for instance “Selador”, and from that a character and a story might grow.


Carl Rasmussen - Summer in the Greenland coast circa year 1000

Carl Rasmussen, “Summer in the Greenland coast circa year 1000” (Wikimedia Commons).


***

Hagon Hoare, Haggon (Varamyr’s mentor), Hagen (one of Asha Greyjoy’s crewmen) – it seems that these characters, especially the first two, were named in reference to the Norse tale of the Niflungs (in German tradition: the Nibelungs).

Hagen is the German version of the name of a figure which in Old Norse is called Högni. Högni and his brother Gunnar are princes of the Burgundians, who marry their sister Guðrún to Atli (Attila), King of the Huns, who insidiously invites them to his hall driven by fierce desire of great treasure in their possession. When Högni and Gunnar arrive with a small party, they are treacherously attacked. In spite of their heroic defense, the brothers are captured and imprisoned in separate places. Atli tries to convince Gunnar to reveal where their gold is hidden, promising to spare his life. In response Gunnar declares that he will share this information only if Atli brings him the heart of his brother. Högni is killed, but at the sight of his heart Gunnar only laughs – he managed to fool Atli. Now only Gunnar knows the location where the two brothers threw all their gold into the Rheine before their departure. Högni was the weaker of the two, so there was the possibility that Atli would be able to break him. However, Gunnar is steadfast and the secret will die with him. This is exactly what happens, when furious Atli has Gunnar thrown into a pit full of venomous snakes.

In ASOIAF Hagon Hoare was an Ironborn king who was called “Hagon the Heartless” because of his cruel actions – and Högni, that is Hagen, was also “without a heart”, though in his case quite literally.

Haggon, Varamyr’s teacher, also loses his heart – his treacherous students kills him while warging a wolf (it is worth to mention that Atli is also associated with wolves) and devours his heart.

In ASOIAF there is also one Haggo, a Dothraki bloodrider of Khal Drogo. When the Khal decides to “crown” Viserys with molten gold, Haggo seizes the Targaryen pretender and breaks his wrist. There are several parallels between the story of Daenerys & Drogo and the tale of Gudrun (Högni’s sister) and Atli. This might explain why a name evoking Högni/Hagen would appear in that plotline as well.

Gunthor Hightower, son of Lord Leyton – perhaps another reference to the Völsung story, where Gunnar is Högni’s brother. In German tradition this character is named Gunther.

***

Guthor Grimm, Lord of one of the Shield Islands – Guthorm, brother of Gunnar and Högni in the Völsung story, slayer of Sigurd. His mother was named Grimhild, it is also possible that the surname of House Grimm is a reference to Jacob Grimm, a prominent 19th century philologist and scholar of mythology, who authored a well-known collection of folk tales together with his brother William.

Ralf Kenning – kenning is a poetic device common in Old Norse and Old English poetry. In his commentary on Beowulf J.R.R. Tolkien provides the following example: “the gannet’s bathing-place” = “the sea”.

***


by Bluetiger

Unauthorized use and/or duplication of this material without express from this site’s author is prohibited. Excerpts and links may be used, provided that full and clear credit is given to Bluetiger and The Tolkienic Song of Ice and Fire Blog, with appropriate and specific direction to the original content (direct link back to this blog). Thanks!

Mance, Tormund and Styr: On Royal Power in Westeros and Beyond the Wall

Mance, Tormund and Styr: On Royal Power in Westeros and Beyond the Wall

by Bluetiger

Originally published on March 7, 2020 at FSGK in Polish as Mance, Tormund i Styr. O władzy królewskiej w Westeros i za Murem.


Johannes Gehrts - Ragnarok

Johannes Gehrts (1855 – 1921), Ragnarök (Wikimedia Commons).


When we look back on Jon’s first chapter in A Storm of Swords, we can readily reach the conclusion that in terms of plot development, the most crucial event in this portion of the book is Jon’s meeting with Mance Rayder and a conversation in the course of which Snow has to convince the King Beyond the Wall that he has genuinely joined the Wildlings. That is how matters stand as far as the storyline is concerned. Plot-wise, this chapter can be seen as quite uncomplicated.

However, A Song of Ice and Fire can be read on other planes too. While discussing Jon I, DaeL drew attention to several instances of foreshadowing, hints concerning future events which the author has left for us. The theme of guest-right can also be discerned and it shall be featured not only in ASOS, but also in the subsequent volumes, gaining special significance following the Red Wedding and later attempts to exact revenge on those who had prepared it.

Here I would like to focus on yet another aspect of this chapter. I am not sure how best to define it – it seems terms such as “mythical dimension” or “philosophical dimension” have suffice for the time being. What do I mean by this? Well, I suggest that in the aforementioned chapter, a scene which on the first glance serves a purely humoristic purpose is of vital importance. And yet, when we consider its deeper sense, we may get the impression that any comic elements aside, it also introduces a mythological reference. This in turn leads us to one of the most substantial questions which A Song of Ice and Fire poses to its reader, the one about the essence of power.

***

Please, let us cast our minds back to the said chapter. Jon Snow arrives at the camp of the Wildlings, who name themselves the Free Folk. The slayer of Qhorin Halfhand and – as he claims – a renegade from the Night’s Watch – is to stand before the King Beyond the Wall. When he enters his tent, canopied by furs of white bears and ornamented with antlers, he finds six people inside. A young, fair-haired woman and a dark-haired man are regaling themselves with mead. A pregnant woman is standing by a brazier, roasting two hens. A grey-haired man in a tattered cloak is lying back on a pillow, singing The Dornishman’s Wife.

In the room, there are also two men to whom Jon Snow pays more attention. One is heavily-built, has a snow-white beard and wears golden armbands with runes graven upon them. The second one is taller and muscular, has somehow lost both his ears and wears a two-handed greatsword across his back. The first man is enjoying a hen, the second contemplates a map. Jon concludes that both look like warriors and wonders “which was Mance Rayder”.

His choice falls on the earless man, whom he addressed as king. It turns out, however, that his behaviour merely elicits a general amusement. The inconspicuous singer is the true King Beyond the Wall.

***

As I have already mentioned, this scene might be purely comical. Nevertheless, I began to wonder if there might be more to it. What deeper meaning might lie behind this situation: a hero stands before several men and must choose which one is the king?

I have concluded that the answer is partially in the names of our two potential kings. The first one is, as the reader learns a bit later in this chapter, Tormund Giantsbane. The earless warrior is Styr, the Magnar of Thenn, chieftain of a tribe which view consider themselves the last rightful scions of the First Men.

Tormund momentarily brings to mind Thor. His byname – Thunderfist – can be seen as a translation of a name made up of Þórr, which comes from a Proto-Germanic word for thunder, and mund, which is “protection”, but in poetry has also the meaning of “hand”. There exists a Faroese name Tormundur, with Tormund as its Assusative¹. Furthermore, Giantsbane also evokes Thor, slayer of the jötnar, that is of giants. Curiously, Tormund is also known as the Father of Hosts, which in Norse mythology was a cognomen of his father, Odin.

What is more, the word Styr is similar to a name of another Norse deity – Týr, the one-handed god associated with justice and judgement. It should be noted that just like the Norse Týr, the magnar of Thenn is attacked by an enormous wolf. Týr loses his hand in the jaws of Fenrir, and it is foretold that during ragnarök he is to be devoured by Garm. As it happens, Jon’s escape from Styr’s group is successful because the Magnar and his men are suddenly set upon by Bran’s direwolf. We also read that according to Jon’s observations Styr was treated by his followers more like a god than a lord.

John Bauer - Tyr and Fenrir

John Bauer (1882 – 1918), “Týr and Fenrir” (Wikimedia Commons). In ASOIAF, Styr might be Týr’s counterpart.

Therefore, in our scene we have characters alluding to two Norse deities. We also see in it Jarl and Val, two further characters whose names seem to refer to culture and beliefs of the early medieval Scandinavia. Jarls were one of the three social strata which according to one of the Eddaic poems have been established by Heimdall, and Val is probably meant to evoke the Valkyries, Odin’s female warriors who brought souls of heroes who fell in battle of Valhǫll (Valhalla)². Based on one detail from Val’s plotline in A Dance With Dragons – the fact that once in Castle Black she took up residence in a high tower – one might suspect that Val is based on a specific Valkyrie, Brynhild from the tale of Sigurð Völsung.

Thus, in Mance Rayder’s tent we have seen gathered at least four characters evoking the Norse myths. It is no great surprise that, accordingly, the King Beyond the Wall himself might correspond to one of the deities – Odin. Mance wears a helmet decorated with raven wings, and the very same birds are univocally associated with Odin. He is a singer, and Odin is a god of madness and poetic inspiration, who has won the Mead of Poetry for gods and humans, thus enabling the poets to compose. Just like Odin, Mance delights in hiding his identity and wandering around the world incognito – he journeys to Winterfell twice, disguised as a minstrel from Robert Baratheon’s retinue on the first occasion (in A Game of Thrones) and as Abel the bard on the second (in ADWD). The spearwives accompanying him on this later journey can be compared to the Valkyries. Finally, the surname Rayder might have something to do with Odin’s names such as Atriðr, attacking rider, and Reiðartyr, god of riders.

Jon stands in front “Thor” and “Týr” and has to make a decision which of the two is the King Beyond the Wall. He chooses “Týr”, but it turns out that the singer, “Odin”, was the true ruler. Is there any deeper meaning to this sequence? Is the author’s intention to tell us something, to convey some information about the essence of royal power in A Song of Ice and Fire?

***

In my view, it is highly likely that this is indeed the case.

The so-called trifunctional hypothesis will emerge as crucial. It refers to the original societal organization of the Proto-Indo-Europeans, a people speaking in the Proto-Indo-European (PIE) language, which has later diverged into groups such as the Hellenic, the Romance, the Celtic, the Germanic, the Balto-Slavonic and others. This hypothesis was formulated by Georges Dumézil, an outstanding French philologist and scholar of mythology³.

Dumézil argued that the society of the PIE people was composed of three classes, with each associated with a specific function – a domain of human existence. The first of those groups were the ruler-priests who possessed “sovereignty”. Below them were those who wielded martial power – the warriors. Finally, there was the third class, governed by the remaining two, that is, the producers, who cultivated the land, herded the animals and engaged in craft.

The scholar proposed that such tripartite division had its reflection in the original religion of the Proto-Indo-Europeans and its traces can be discerned in later mythologies which descend from it. For instance, in the Norse mythology Odin would be the sovereign ruler, Thor the warrior and the producers would have their deities in the Vanir, figures associated with fertility such Frey or his father Njörð. The society was made up of three strata – the jarls, that is the nobles, the karls – the free farmers (who, if such need arose, would take up arms, and in some periods would participate in raids as vikings) and the thralls, the slaves. Of course, between those groups there were other classes, such as the freedmen or the húskarls (the monarch’s bodyguards). However, on the whole the society was based on the three main groups.

Arthur Rackham - Thor

Arthur Rackham (1867 – 1939), Donnar (German version of Thor’s name), illustration for “The Rhinegold” and “The Valkyrie” by Richard Wagner (Wikimedia Commons). In PLIO Tormund seems to parallel Thor.

***

At this moment one might reasonably point out that in the division I have just described there are featured Odin, Thor and the Vanir, but there is no Týr. Obviously, it would be a major, and indeed a devastating, blow to my theory, according to which Styr parallels Týr and the entire situation with him, Mance and Tormund is supposed to be based on Dúmezil’s model. If the ASOIAF pattern was to mirror the Proto-Indo-European one, as I have presented it above, instead of “Týr” beside Tormund there should stand some “Frey” or “Njörð”.

But in actuality, Týr perfectly fits the Dumézilian template, since Indo-European sovereignty has two aspects and that is why I have mentioned the ruler-priests. A priest is someone whose power associated with the supernatural, ecstasy, inspiration, prophesying. Thus, this figure can be seen as someone who represents chaos, unpredictability – just like Odin, who constantly changes shape, breaks promises and tries to escape his fate with the help of arcane knowledge.

To counterbalance this, the other member of the pair of sovereign rulers is the one who introduces order – the law-giver and judge, who organizes all aspects of earthly life. In Norse mythology, Týr plays such role. It is worth to mention that originally his importance may have been greater (his name is a cognate of the name Jupiter) than in the later period and, consequently, in the Eddas.

Furthermore, even though the producers have their own deities – in Norse mythology the Vanir are such a group – those gods are figures of lower status than deities of rulers and warriors. The Vanir are less powerful than the Aesir such as Odin, Týr and Thor, just like producers are subordinate to priests, kings and warriors (and primarily to those first two groups, as warriors heed their orders), The warriors’ domain is power, but this is purely physical might, governing is the realm of someone else.

This tripartite division – Odin, Týr and Thorª – perfectly fits the situation from the chapter about Jon’s meeting with Mance. Interestingly enough, Styr and Tormund’s associations with monarchical power are not limited to Jon’s belief that one of them is the King Beyond the Wall. As we read in another chapter:

“Are you a true king?” Jon asked suddenly.

“I’ve never had a crown on my head or say my arse on a bloody throne, if that’s what you’re asking,” Mance replied. “My birth is as low as a man’s can get, no septon’s ever smeared my head with oils, I don’t own any castles, and my queen wears furs and amber, not silk and sapphires. I am my own champion, my own fool, and my own harpist. You don’t become King-beyond-the-Wall because your father was. The free folk won’t follow a name, and they don’t care which brother was born first. They follow fighters. When I left the Shadow Tower there were five men making noises about how they might be the stuff of kings. Tormund was one, the Magnar another. The three other I slew, when they made it plain they’d sooner fight than follow.” —ASOS, Jon IX—

Now let us examine more closely the sources of power of our three “kings”. Tormund, the Mead-King of Ruddy Hall, is above all else a warrior. People follow him because of his physical strength, not his deep wisdom or great cunning – as he himself admits, Mance surpasses him in that later respect. Styr is also a warrior, but of another kind – his men are more disciplined, better armed and he himself is more of a general than a common yeoman. In the first scene in which we see him he is standing over a map, while Tormund is sitting on a stool, devouring a roast hen. Styr’s power comes primarily from the law. “You don’t become King-beyond-the-Wall because your father was” – that is true. Yet, the title of the Magnar of Thenn is hereditary, following Styr’s demise it will go on to his son, Sigorn (who bears another name with an Old Norse element – sigr, which means “victory”), who will later become a husband of Alys Karstark. The Thenns see themselves as last rightful heirs of the First Men and their society is significantly more orderly than other tribal communities of the Wildlings. Thus, we see that just like Týr, the Magnar is a figure whose power touches upon the field of law and introduction of order.

Arthur Rackham - Brynhildr

Arthur Rackham (1867 – 1939), Brünhilde (Brynhildr), illustration for “The Rhinegold” and “The Valkyrie” by Richard Wagner (Wikimeia Commons). In ASOIAF, the character of Val might be a reference to the Valkyries, and perhaps more specifically to Brynhildr.

What about Mance’s power? Well, in the symbolic sense he is the inspired bard, a seer and prophet who leads his people through a certain vision – the idea of crossing over the Wall. He is a warrior, but he is also characterized by cunning, captiousness and a kind of wisdom. Like Odin, he is filled with curiosity about the wider world and desires to know more. He seeks secret knowledge, excavating graves of giants in the Frostfangs in hope of finding the Horn of Joramun (another name which might be a Norse reference – to the Midgard-serpent Jörmungandr, king Jörmunrek – Gothic ruler Ermanaric, or both). Lastly, in A Dance With Dragons he changes shape – it is true that not through his own skills, but because of Melisandre’s art, but nevertheless, in he is still similar in this respect to the master skinchanger Odin.

Mance is not a priest of any religion, but as poet and singer he evokes a shaman or a seer, and as a counterpart of Odin – just like Bloodraven and Beric Dondarrion – in the symbolic sense he is connected with the Children of the Forest, the weirwood trees (which parallel Yggdrasil) and the greenseers.

George R.R. Martin might be alluding to Odin and the division of Norse society also through the lover of Val’s sister, Dalla – for whom he chose the name Jarl. According to the Elder Edda, jarls who fall in battle belong to Odin. We know that the author of ASOIAF has read this compendium of poems. Thus, we should not be surprised that it is Jarl who is so closely associated with Odin’s counterpart Mance. Moreover, from this perspective the significance of manner of his death is also easy to understand. While scaling the Wall, Jarl and his companions are swept off by an ice block detached from the cliff.

They found Jarl in a tree, impaled upon a splintered branch and still roped to the three men who lay broken beneath him. One was still alive, but his legs and spine were shattered, and most of his ribs as well. —ASOS, Jon IV—

In Norse mythology it was Odin who hung for nine long nights on a “windy tree”, pierced with a spear and sacrificed to himself – in this way he got to know the secret art of runecraft. It seems that GRRM is showing us here that he knows that it is Odin with whom the class of jarls is connected.

Now let us have a look on the following excerpt from a chapter in which Jon sets off with a band of Wildlings on a journey to south of the Wall:

Jarl was with the Magnar; Mance had given them joint command. Styr was none too pleased by that; Jon had noted early on. Mance Rayder had called the dark youthº a “pet” of Val, who was sister to Dalla, his own queen, which made Jarl a sort of good brother once removed to the King-beyond-the-Wall. The Magnar plainly resented sharing his authority. He had brought a hundred Thenns, five times as many men as Jarl, and often acted as if he had the sole command. But it would be the younger man who got them over the ice, Jon knew. —ASOS, Jon III—

Mance’s representative – Jarl – shares power with Styr. Meanwhile, Odin and Týr jointly occupy the same level, the one associated with sovereignty. Styr is not pleased about the prospect of having to co-rule – perhaps because it was Týr who might have been once the supreme god, but was dethroned by Odin.

Arthur Rackham - Odyn

Arthur Rackham (1867 – 1939), Wotan (German form of the name Odin), illustration for “The Rhinegold” and “The Valkyrie” by Richard Wagner (Wikimedia Commons). In ASOIAF, characters such as Bloodraven, Beric Dondarrion, Mance Rayder and Euron Greyjoy exhibit some characteristics of Odin.

***

Returning to Jon’s first chapter in ASOS, I suggest we can read it in the following way: Jon arrives at a meeting with the Kind Beyond the Wall and stands before two “candidates”. One symbolizes rule stemming from the law, the other power arising from physical might. Jon rightly (if we consider Dumézil’s tripartite division) concludes that Styr is the more important one of the two. After all, Norse Thor is placed below Týr, who occupies the highest level – the one of sovereignty. However, Jon is not aware that sovereignty has two aspects. He picks earthly power, but altogether ignores the supernatural – he does not even consider the inconspicuous singer. And yet, it is revealed that this very singer is the second member of a pair of rulers of the highest strata, Odin’s counterpart. Curiously, it is the case in both Norse mythology and in ASOIAF that the priest-king is placed a bit higher than the judge-king. There are no two equal King Beyond the Wall – Mance has defeated Styr, who ultimately submitted to him. Týr is also not equal to Odin, at least in those sources which are available to us (some scholars suggest that Týr may have once been a vastly more significant figure, perhaps more important to Odin, a supreme god, just like his etymological cousins Jupiter and Zeus).

A similar “choice” features elsewhere in A Song of Ice and Fire – in one of Tyrion’s chapters in A Clash of Kings. The issue of various kinds of power and their sources is directly brought up. Here is Varys’ famous riddle:

“May I leave you with a bit of a riddle, Lord Tyrion?” He did not wait for an answer. “In a room sit three great men, a king, a priest, and a rich man with his gold. Between them stands a sellsword, a little man of common birth and no great mind. Each of the three great ones bids him slay the other two. ‘Do it,’ says the king, ‘for I am your lawful ruler.’ ‘Do it,’ says the priest, ‘for I command you in the names of the gods.’ ‘Do it,’ says the rich man, ‘and all this gold shall be yours,’ So tell me – who lives and who dies?” —ACOK, Tyrion II—

When Varys leaves, Shae asks Tyrion if it will be the rich man who survives. To this, the Lannister responds that “Perhaps. Or not. That would depend on the sellsword, it seems.”

In another chapter Tyrion and Varys return to the topic:

“Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?”

“It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man – who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword. (…)

Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.”

“So power is a mummer’s trick?”

“A shadow on the wall,” Varys murmured, “yet shadows can kill. —ACOK, Tyrion III—

A King, a priest and a rich man… those two figures do not exactly correspond to Styr, Mance and Tormund, nor Týr, Odin and Thor. However, they can easily be placed within Dumézil’s pattern. Varys states clearly the source of the power of the king from the riddle – he is “lawful” – thus, he parallels the judge-king who represents one of the two aspects of sovereignty. The priest next to him stands for the supernatural power. The rich man might represent the producers, who in Norse mythology have their deities in the Vanir associated with fertility and abundance. The rich man does not belong to the same level as the other two “great ones”, he is more of a merchant, who boosted his status through financial prosperity. Theoretically, the rich man has no power, he is located at the bottom of the social ladder upon the highest spokes of which the king and the priest are located. And yet, Martin presents a world in which material commodities become equally, and perhaps even more important, than law and religion (or generally, everything that belongs in the sacrum). Finally, in Varys’s riddle there is also the sellsword, representative of physical and martial power. He is the one to make a choice. The power the king and the priests exercise over the producers, those who own material wealth, depends largely on whether they will have under their command those who enforce their will, that is, the warriors.

Yggdrasil

Part of “The Ash Yggdrasil” by Friedrich Wihelm Heine (1845 – 1921), (Wikimedia Commons).

Tyrion states, that everything depends on who the sellsword is. To this I would add that there is another equally important factor – when the choice is made. Let us examine the consecutive phases of plot development in A Song of Ice and Fire. On the onset of the War of the Five Kings, many pretenders allege that their right to rule stems from the law. Stannis declares that he is the sole rightful heir of Robert, Joffrey claims the Iron Throne is his by right, Robb Stark evokes the right of the Northerners to self-governance. Here the choice falls on “the king”. In contrast, Renly relies chiefly on military might – he is “the warrior”. (Interestingly enough, the number of the potential kings defeated by Mance was also five). Afterwards, the Lannisters allied with the Tyrells reign supreme for a time – that is “the rich man’s” triumph. However, following the death of Lord Tywin, the order forged by him begins to crumble and in many regions religious leaders rise in prominence – for instance, the High Sparrow and Melisandre. This is also the period of the ascendancy of Euron, a highly Odinic figure, who apparently bases his rule of magic, arcane forces and chaos, things associated with the Indo-European “priest”.

***

In this ASOS chapter, Jon becomes, in a sense, the sellsword from Varys’ riddle, the one who must “choose” the king. Curiously, by choosing Styr, Jon symbolically champions the cause of law – and Jon is the one who attempts to act justly and be guided by honour, thus defending the existing order, just like his “father” – Eddard Stark – who chose Stannis, “the rightful king”.

Yet, it turns out that Mance Rayder, “the seer” and “the priest”, is the true ruler. What does this mean? Perhaps George R.R. Martin is implicating that the spiritual and the supernatural have primacy over the material and the earthly. It is also possible that he is simply foreshadowing another “phase” of the game of thrones, in which religion will be brought to the forefront, just like magic, thus far marginalized. It might be the case that this is some clue as to the ultimate result of the conflict. I suppose this is closely connected with the weirwoods, which parallel the Norse World Tree, Yggdrasil, and the greenseers – symbolically associated with Odin, hanged on a tree, who through self-sacrifice won wisdom and arcane knowledge about runes. One can attempt to match various claimants to the Iron Throne and rulers of Westeros to the following four basic categories: kings (law), priests (religion and magic), warriors (military might) and “rich men” (material commodities). The group of three major deities, which represent two aspects of sovereignty and physical strength might also have some connection with GRRM’s idea of the three heads of the dragon.

At any rate, there is something deeply moving and beautiful in the fact that in A Storm of Swords, a book published on the threshold of the 21st century, we see a scene, which might recreate a tripartite division of the society and the deities which, according to scholars such as Georges Dumézil, existed among the primeval Indo-Europeans many millennia ago.

Thank you for your attention, I hope you have enjoyed this piece!

—Bluetiger

***

©2020 Bluetiger and The Tolkienic Song of Ice and Fire. Original Polish essay ©2020 Bluetiger and FSGK.PL

¹ Wiktionary: Tormundur

Having written this essay, in Tormund – Horned Lord of Winter by The Fattest Leech I came across information that there also existed the Old Norse name Þórmundr. Faroese Tormundur is apparently its descendant.

As for Styr, a character named Styrbjörn Sterki (the Strong in English, der Starke in German) is featured in several sagas and stories. However, I believe that even if GRRM is familiar with this figure, the name of his Styr is meant to evoke primarily Týr, who is much more prominent and well-known.

² Associations between Val’s name and the Valkyries have been noted before, for instance, they were discussed by The Fattest Leech in When was Val introduced into ASOIAF? – when an observation by Corvo the Crow is mentioned.

³ I was first acquainted with Dumézil’s theory in a book Wierzenia Prasłowian [Beliefs of the Proto-Slavs] by Jakub Zielina

ª It might be a coincidence, but I still find it interesting that we find the very same three deities – Týr, Odin and Thor – or rather, their Anglo-Saxon counterparts, in the names of weekdays in the English language (Tuesday, Wednesday and Thursday). Wednesday being the day of Woden (Odin) might explain why in the first chapter of The Hobbit Bilbo invites Gandalf, the Odinic wanderer, for supper on Wednesday and writes down “Gandalf Tea Wednesday” in his engagement tablet. This also means that Thorin’s Company embarks on its journey on Thursday.

º Jarl being called “dark youth” reminds me of the so-called Fair Youth, a figure to whom many of Shakespeare’s sonnets are apparently addressed. “Dark youth” might be a play on two characters: the Fair Youth and the Dark Lady. (Perhaps in ASOIAF we should look for a “fair lady” to complement Jarl as the “dark youth”. Maybe Val is supposed to be that figure?)


Unauthorized use and/or duplication of this material without express from this site’s author is prohibited. Excerpts and links may be used, provided that full and clear credit is given to Bluetiger and The Tolkienic Song of Ice and Fire Blog, with appropriate and specific direction to the original content (direct link back to this blog). Thanks!

Copyrights to all excerpts from books I have quoted in this essay for the purpose of literary analysis belong to their respective holders.

Advent Calendar 2018 – Entries

Bluetiger’s Advent Calendar 2018

All daily entries from December 2018, collected at my Twitter profile and gathered here in one post published nearly a year later.

Advent Calendar 2018 – Introduction


File:Ernst Gustav Doerell - Rothirsche im Winter (1875).jpg

Ernst Gustav Doerell (1832–1877), Deer in Winter (Wikimedia Commons).


The First Week of Advent 2018

2 December (First Sunday)

The Return of the Queen essay is published.


3 December (Monday)

Fëanor, the greatest Elven craftsman and creator of the Silmarils & Aerion Targaryen, the Mad Prince who drank wildfire, share some similarities. Aerion was called “Brightflame”. Just like Feanor: Fëanor was made the mightiest in all parts of body and mind: in valour, in endurance, in beauty, in understanding, in skill, in strength and subtlety alike: of all the Children of Ilúvatar, and a bright flame was in him (from The Silmarillion by J.R.R. Tolkien).


4 December (Tuesday)

In LOTR, Isildur dies in an ambush at the Fields of Gladden, in AGOT, Beric Dondarrion’s party is ambushed in a similar manner, by the Mountain. Among Beric’s companions, we find Ser Gladden Wylde. (This skirmish is featured in the opening sequence of LOTR: Fellowship of the Ring movie). Isildur had a squire who saved the shards of Narsil, the Sword that Was Broken – at the Battle of the Mummer’s Ford, Ned Dayne pulled Beric from the river. Isildur was less fortunate.


5 December (Wednesday)

There are numerous parallels between ASOIAF House Durrandon and LOTR House of Durin. For example, Duran Godsgrief supposedly lived for millenia, just like Durin the Deathless. Another Durrandon monarch, Duran Ravenfriend, might be a reference to the famed friendship between House of Durin and sentient Ravens of Erebor (The Lonely Mountain).


6 December (Thursday)

oday, I’ll share one of JRRT’s poems. I believe many ASOIAF ideas about ‘weirwood stigmata’, ‘silent scream’ and MelanieLot7 ‘s ‘Silenced Women’ motif were inspired by Quickbeam’s lament for his rowan-tree.


7 December (Friday)

The First Circle of Minas Tirith was built from black stone with the use of lost Numenorean craft. At Oldtown, the Hightower’s foundations are made of mysterious oily black stone (The Tolkienic Song of Ice and Fire: Minas Tirith and the Hightower).


8 December (Saturday)

We find many references to The Tale of Beren and Luthien in ASOIAF – names like Daeron, Beren, Berena, Melian, or thematic parallels between Sansa & Luthien and Sandor & Huan the Hound of the Valar (The Tolkienic Song of Ice and Fire: Sansa & Lúthien).


File:Alfred von Wierusz-Kowalski Der Wolf.jpg

Alfred Wierusz-Kowalki, “Wilk” – The Wolf (Wikimedia Commons).


The Second Week of Advent 2018

9 December (Second Sunday)

Eärendil, Bearer of Light essay is published.

The TWOIAF passage where Queen Rhaenys and Meraxes burn Planky Down is probably a reference to The Hobbit, where Smaug destroys Laketown (Esgaroth).


10 December (Monday)

There are some interesting parallels between The Titan of Braavos and Argonath, the Pillars of Kings from LOTR (The Tolkienic Song of Ice and Fire: Argonath and the Titan of Braavos).


11 December (Tuesday)

The Barrowlands of the North are likely a reference to Barrow-downs from LOTR, and GRRM’s wights might have been inspired by JRRT’s Barrow-wights.


12 December (Wednesday)

The Grey King and the tree-hit-by-lightning myth might have been influenced by The Silmarillion passage where Sauron defies Manwe, Lord of the Valar.


13 December (Thursday)

Some aspects of The Seven might have been inspired by Tolkien’s portrayal of The Valar, while the drowned god of the Ironborn might owe something to Ulmo.


14 December (Friday)

Castamere might be named after Castamir, the usurper king of Gondor You can learn more about Castamir from my A Brief History of Gondor essay.


15 December (Saturday)

The sigil of House Hightower, and the title of its head – The Beacon of the South – are probably references to LOTR and the Beacons of Gondor (The Tolkienic Song of Ice and Fire: Minas Tirith and the Hightower).


File:Pieter Kluyver - Winterlandschap met spookachtige bomen.jpg

Pieter Kluyver (1816 – 1900), Winter Landsape with Ghostly Tress (Wikimedia Commons).


The Third Week of Advent 2018

16 December (Third Sunday)

The Jade Empire essay is published.

Ser Theodan Wells of the Warrior’s Sons is likely named after King Theoden of Rohan from LOTR.


17 December (Monday)

Westeros and Essos have it mysterious “black oily stone”. Middle-earth has its black and gleaming stone used by Numenoreans and the Dunedain to build the Tower of Orthanc in Isengard (Saruman’s seat) and to raise the first circle of Minas Tirith.


18 December (Tuesday)

Did you know that there was a Long Night in Tolkien’s universe? The Long Night of Valinor was caused by Morgoth, the first Dark Lord, who treacherously pierced the Two Trees with his spear.


19 December (Wednesday)

The creation of Coldhands the ranger might be GRRM’s response to JRRT’s Tom Bombadil. There are many parallels between the two… Or rather, inverted parallels.


20 December (Thursday)

It’s possible that Lord Hoster Tully’s funeral, described in “A Storm of Swords”, was inspired by Boromir’s funeral in “The Two Towers”. Whatever the case, I find the language very similar…


21 December (Friday)

In Westerosi history, there were two major ship burnings – Brandon the Burner’s and Nymeria’s. It’s possible they were based on Feanor’s burning of the Teleri fleet of Swan-ships in The Silmarillion (which, in turn, was based on Tuatha Dé Danann’s ship-burning upon their arrival in Ireland in Lebor Gabála Érenn – “The Book of Invasions”).


22 December (Saturday)

There are some interesting parallels between Tywin and Denethor II, the Steward of Gondor – Boromir would be Jaime, the favoured son, Faramir would be Tyrion, the second son and Finduilas would be Joanna after whose death the Hand of the King/Steward became bitter. Aerys’ pyre is probably supposed to echo Denethor’s funeral pyre.


File:Hillingford Yule Log.jpg

Robert Alexander Hillingford (1825-1904), Yule Log being brought in at Hever Castle (Wikimedia Commons).


The Fourth Week of Advent 2018

23 December (Fourth Sunday)

Aenar’s Aeneid essay is published.

Westeros has its pairs of extraordinary swords: Oathkeeper & Widow’s Wail and Blackfyre & Dark Sister. Middle-earth has its twin blades: Anguirel and Anglachel, forged by Eol the Dark Elf from black meteoric iron. Anglachel was later reforged as Gurthang, Iron of Death, and its owner was Turin Turambar the Blacksword. Anguirel was stolen by Eol’s wife Aredhel and their son Maeglin, who later became known as the traitor who betrayed Gondolin, the Hidden City, to Morgoth. Gurthang is in a way a Dark Lightbringer, for “though ever black [was the blade] its edges shone with pale fire (from The Silmarillion).


24 December (Monday, Christmas Eve)

In ASOIAF, the founders of House Dayne followed the trail of a falling star until it landed in a place where they’ve raised Castle Starfall. In “The Silmarillion”, the Edain followed the Star of Eärendil until they’ve reached the Isle of Elenna, where they founded the Kingdom of Numenor. I explore Tolkien’s symbolism based on Venus (The Star of Eärendil) and its impact upon ASOIAF in my Eärendil, Bearer of Light essay.

Thus, Advent Calendar 2018 comes to an end. Thanks for reading and sharing my tweets and essays, and for all kind words. Merry Christmas!

Yours, Bluetiger


File:Alfred Kowalski-Wierusz - Stado wilków.jpg

Alfred Wierusz-Kowalski, “Stado wilków” – Wolfpack (Wikimedia Commons).


***

 

Advent Calendar 2019 – Entries

Bluetiger’s Advent Calendar 2019

Advent Calendar 2019 – Introduction

Julius Arthur Thiele - Deer in a Winter Woodland

Julius Arthur Thiele (1841–1919), “Deer in a Winter Woodland” (Wikimedia Commons)


The First Week of Advent 2019

1 December (First Sunday)

In my Polish Taniec z Mitami: G(r)endel and Gorne (A Dance with Myths…) essay I suggest that the Free Folk legend of Gendel and Gorne is a reference to the Old English epic poem “Beowulf”. Gendel parallels Grendel the monster, and the Starks who defeated and chased him away are a reference to Beowulf (Bee-wolf), the heroic warrior who defeats Grendel: “Gendel did not die. He cut his way free, through the crows, and led his people back north with the wolves howling at their heels” (A Storm of Swords, Jon III).

Following his encounter with Beowulf, Grendel flees to his underwater cave, whereas Gendel also escapes and enters the caverns underneath the Wall (made of frozen water). Neither Grendel nor Gendel ever emerge alive.

The Shire Calendar: The first month in the Shire Calendar from J.R.R. Tolkien’s “The Lord of the Rings” is Afteryule, which corresponds to the period between 23 December and 21 January in the Gregorian Calendar. The name comes from Old English month Æfterra Gēola, = “after Yule”, with Yule being the Midwinter festival. Modern “after” descends from “æfter”, and “gēola” is Yule. In Saint Bede the Venerable’s account this month is called Giuli and the scholar gives “Januarius” as its Latin equivalent. It appears that Bede ommits “after” and “before” in all month names which have them.


2 December (Monday)

The legend in which king Rodrik Stark wins Bear Island from the Ironborn in a wrestling match is possibly another reference to “Beowulf”. Here the Stark King parallels Beowulf (Bee-wolf) and his Ironborn rival would be Grendel, the accursed descendant of Cain.

In the epic Beowulf defends King Hrothgar’s magnificent mead-hall Heorot, located on one of the Danish islands, and wrestles with the monster. It is also worth to mention that according to J.R.R. Tolkien “Beowulf” – wolf of the bees – might be a poetic description, a kenning, for “bear”. Thus, Bear Island is the perfect place for GRRM to include yet another reference to the Old English poem.

The Shire Calendar: The second month bears the name Solmath and is based on the Old English Sol-mōnaþ, which means “mud-month”. This second month of the hobbits corresponds to the period between our 22 January and 20 February. Saint Bede writes that to Anglo-Saxons, “Sol-monath” was the equivalent of Latin “Februarius”.


3 December (Tuesday)

The surname Mormont might originate from Irish mormónta, a borrowing from Middle English wermode, which in turn comes from Old English wermōd. Mormónta means “wormwood”, as in the plant, but also the star Wormwood mentioned in the Book of Revelation, where it turns a third of the waters bitter.

Elsewhere in ASOIAF we find House Wormwood, with only one known member, Ser Julian. This Julian Wormwood was a knight who supported Aegon II during the Dance of the Dragons, and in the final days of the claimant’s reign was dispatched across the Narrow Sea to hire sellswords for his monarch’s cause. It should be noted that wormwood oil is green in colour, which might be what GRRM is referencing here.

The Shire Calendar: The name of Rethe (21 February – 22 March), the third month in this calendar, comes from the Old English Hrēþ-mōnaþ, which – according to Bede – was named after the pagan goddess Rheda (Hretha). The scholar gives “Martius” as its Latin equivalent.


4 December (Wednesday)

Brandor the Shipwright, the Stark king who tried to sail across the Sunest Sea and never returned might be a reference to Saint Brendan the Navigator who – according to legend – had sailed across the Atlantic and encountered many wondrous islands and phenomena.

The Shire Calendar: The fourth month is Astron, which begins on our 23 March and ends on 21 April. Its equivalent in the Anglo-Saxon calendar was Ēosturmōnaþ (or Easter-mōnaþ), which according to Bede was named after the pagan goddess Ēostre. The monk gave “Aprilis” as its Latin counterpart. In later times the name might have meant “Easter-month”. The word “Ēostre” is related to such words as “east” and “Easter”, which ultimately derive from Proto-Indo-European word for “dawn”.


5 December (Thursday)

In my essay Taniec z Mitami: Krew Kvasira (A Dance with Myths: Kvasir’s Blood) I have suggested that the so called “Jojen paste” Bran drinks in ADWD is based on the Mead of Poetry (which turns the one who drinks it into a poet or a scholar) from Norse Mythology. This beverage was created when honey was mixed with the blood of the sage Kvasir, after he had been killed by the dwarves Fjalar and Gjalar. (Jojen Reed parallels Kvasir, and the Children of the Forest would be the dwarfs). It is also worth to mention that Bran’s paste tastes of honey as well: It tasted of honey, of new-fallen snow, of pepper and cinnamon and the last kiss his mother ever gave him. I have also noted that Tyrion’s “singer’s stew” – which tastes so good that it makes him want to sing – symbolizes both weirwood paste and the Mead of Poetry.

The Shire Calendar: The fifth month is Thrimidge, which begins on our 22 April and lasts until 21 May. Its Old English precursor was Þrimilcemōnaþ, which Bede provides as the equivalent of Latin “Maius”. Thrimylchi (or þrimilce) stands for “three milkings”, and thus the name of the fifth month meant “Month of Three Milkings”, apparently because it was believed that at that time cows could give milk three times a day.


6 December (Friday)

I have suggested that the character of Larra Rogare (the wife of King Viserys II) is based on Queen Berúthiel of Gondor. Both were foreign spouses of a monarch, and both were rumored to use cats as spies. Please compare the following passage:

Cats were seen coming and going from her chambers so often that men begun to say they were her spies, purring at her in soft voices of all the doings of the Red Keep. (Fire and Blood by GRRM)

with

She had nine black cats and one white, her slaves, with whom she conversed, or read their memories, setting them to discover all the dark secrets of Gondor, so that she knew those things ‘that men wish most to keep hidden’, setting the white cat to spy upon the black, and tormenting them. (The Unfinished Tales by JRRT, edited by Christopher Tolkien)

If you want to find out more about Berúthiel and her connections with Larra, please check out one of the later sections of my essay The Jade Empire.

The Shire Calendar: The sixth month (22 May – 20 June) bears the name Forelithe and is based on Old English Ærra Līþa. Lithe was the Midsummer festival which had its winter counterpart in Yule. Bede includes the month of Ærra Līþa as Lida and pairs it with Latin Junius. (As I have mentioned, Bede omits “Ærra” (before, ere) and “Æfterra” (after) in those month names which have them.


7 December (Saturday)

The actions of Aegon III during the Winter Fever are most likely a reference to Aragorn and the hands of the king are the hands of a healer, and so shall the rightful king be known motif from J.R.R. Tolkien’s The Lord of the Rings (which in turn was based on a real custom practised in some European monarchies, to which GRRM might be also alluding). In Fire and Blood we read that:

To the horror of his Kingsguard, Aegon spent his days visiting the sick, and often sat with them for hours (…) Most of those he visited died, but those who lived would afterward attribute their survival to the touch of the king’s “healing hands”.

The Shire Calendar: Following Forelithe there come the Lithedays (Midsummer festivities), which do not belong to any month. 1 Lithe falls on our 21 June. Then comes the Mid-year’s Day itself, with its Gregorian calendar counterpart in 22 June. In leap years Mid-year’s Day is followed by the extra day of Overlithe. Finally, there is 2 Lithe (23 June). In Old English calendar, we find the word Līþa (which Tolkien developed into Lithe) in two month names.


File:Carl Hilgers Winterliches Wasserschloss.jpg

Carl Hilgers (1818 – 1890), Winterliches Wasserschloss mit heimkehrendem Jäger – “Castle with a moat in winter, with returning hunter” (Wikimedia Commons).


The Second Week of Advent 2019

8 December (Second Sunday)

In The Fate of Frey I explored the possible influence of one element of the Ragnarök story on the upcoming battle between Stannis Baratheon and Ser Hosteen Frey.

The Shire Calendar: The seventh month is Afterlithe, which begins on 24 June and lasts 23 July. Its name refers to the Old English Æftera Līþa, which Bede includes in his list as simply “Lida”, providing “Julius” as its Latin equivalent.


9 December (Monday)

This entry and the following four will be concerned with “the hinges of the world” which are mentioned in Melisandre’s ADWD chapter. Apparently, those hinges are places where magic is the strongest.

I have suggested that there are most likely four such hinges, and that each is linked with one of the four cardinal directions, that is: North, East, South and West. The word “cardinal” comes from “cardo”, which is Latin for “hinge”. The metaphor (and wordplay) of the four principal directions as four hinges was used by poets such as Thomas Creech and John Milton (who in Paradise Regained wrote: nor slept the winds / Within their stony caves, but rushed abroad / From the four hinges of the world, and fell / On the vexed wilderness).

It is also my belief that GRRM’s four hinges might be connected with seasons as well. In The Golden Bough Sir James George Frazer uses the metaphor of “the four hinges of the year” when he mentions: the four great hinges on which the solar year revolves, to wit, the solstices and the equinoxes.

Thanks to Melisandre we know that the Wall is one of the hinges, and in my view it is associated with the North and winter.

The Shire Calendar: Wedmath, the eight month in this calendar, corresponds to the period between 24 July and 22 August. Its Old English counterpart is Weōdmōnaþ, the month of weed/grass. In Old English, weōd referred to plants in general, but its descendant – the word weed – has a more specific meaning. Bede explains that Vueod-Monath is called so because it is the time when weeds (grasses, plants) grow most abundant. The monk gives “Augustus” as its Latin name.


10 December (Tuesday)

As for the hinge of the East, I believe Asshai is the place. Melisandre directly compares a confirmed hinge (the Wall) with it, and the City by the Shadow is one of the easternmost locations in the Known World. It is probably the hinge of spring as well. It might be hard to see what Asshai as we know it has to do with this season, but I believe we should turn our attention to Asshai’s Dawn Age past, when it may have been part of the Great Empire of the Dawn.

English “east” is a cognate of such words as Latin aurora (dawn), Easter and Ēostre, (goddess of dawn and spring in Anglo-Saxon paganism), so it makes perfect sense to associate the hinge of the East with spring as well. Possibly, Asshai is a “broken” hinge, and thus the seasons of the World of Ice and Fire are unhinged.

The Shire Calendar: The ninth month is Halimath (23 August – 21 September), with a name that comes from Old English Hālig-mōnaþ – “the holy month”.  Bede calls it Haleg-monath and explains that the name is derived from the times when Anglo-Saxons were still pagan and would sacrifice to their gods (which he calls idols) during this month. Its Latin equivalent he names as “September”.


11 December (Wednesday)

For the hinge of the South and summer I propose Valyria in the Lands of the Long Summer.

The Shire Calendar: Halmath is followed by the tenth month, Winterfilth, which is based on Old English Winterfylleth (Winterfylleþ). It corresponds to the period between 22 September and 21 October. Its name contains “winter” and “filling” (of the moon, that is a fool moon). According to Bede the Vuinter-fylleth was called so because the first full moon in that month marked the beginning of winter. Its Latin counterpart is “Oktober”.


12 December (Thursday)

The hinge of the West and autumn is, in my view, located on the shores of the Sunest Sea. I have suggested two most likely candidates. The first of those is Pyke, seat of the Lord Reaper of Pyke (a figure evoking harvest), it is also where we hear about Aeron Greyjoy’s “rusted hinge”. The other strong possibility is Oldtown, whence in ACOK came the ravens bringing the news about the arrival of autumn. In Fire and Blood a Hightower ship called Autumn Moon is mentioned.

I will also note that GRRM directly associates sunset with autumn in The Seasons of My Love song: I loved a maid as red as autumn with sunset in her hair. You might remember that we are never told the verse concerning the spring, I believe it goes more or less like this: I loved a maid as … as spring, with dawn-light in her hair.

The Shire Calendar: The eleventh month in this calendar is Blotmath, which begins on 22 October and lasts until 20 November. Its Old English predecessor is Blōtmōnaþ, the month of blót (sacrifices). Bede writes that Blod-monath (“November”) was the time when cattle would be slaughtered and some of the meat would be offered to pagan gods.


13 December (Friday)

In The Golden Bough Frazer writes that there are two major festivals which do not fall on any of the four great hinges of the year. Those are Allhallows’ Even and May Day. If GRRM is familiar with this book, he might have included two extra “hinges of the world” connected with the two. Winterfell would be the hinge of Allhallows’ Even (think of the crypts underneath the castle, the place where “the dead walk” according to Old Nan). The hinge of May Day (if such concept exists at all) is probably Highgarden, the old seat of Garth Greenhand with the enormous three-trunked weirwood tree. Just like Allhallows’ is the opposite of May Day and falls six months later, so Highgarden would be the inversed mirror image of Winterfell.

The Shire Calendar: The twelfth and final month in the calendar of the Shire-hobbits was Foreyule, which comes from Old English Ærra Gēola (before-Yule). Bede calls it Giuli (“December”) and then uses the same name for the first month of the New Year. As I have explained in the daily entry from 1 December, Bede omits Ærra (before) and Æfterra (after) before those month names which actually have them. Foreyule of the Shire Calendar begins on Gregorian 21 November and ends on 20 December.


14 December (Saturday)

I have suggested that one of the inspirations behind the name Winterfell might have been the tenth month in the Old English calendar, Winterfylleth, named so because winter began on the first “filling of the moon” during that month (on the first full moon to fall within it). It should be noted that Winterfilth (which I wrote about in my daily entry from 11 December), a month in J.R.R. Tolkien’s Shire Calendar, is based on the Anglo-Saxon month, and perhaps it is from LOTR that GRRM found out about this name. In “Appendix D” of that book it is mentioned that Winterfilth was the filling of the year before winter.

The Shire Calendar: Following Foreyule we have two days which, just like the Lithedays, are not numbered among any of the twelve month. These Yuledays – midwinter festivities – were 1 Yule and 2 Yule. festivities. 1 Yule (which falls on 21 December) was the final day of the Old Year, whereas 2 Yule (22 December) was the New Year’s Day. Yuledays were the central point of a longer holiday season (celebrating winter solstice as well as the transition to the next year), the Yule-tide, which began on 29 Foreyule (19 December) and lasted until 2 Afterfule (24 December).


File:Adolf Kaufmann - Sonnenuntergang in Winterlandschaft.jpg

Adolf Kaufmann (1848 – 1916), “Sunset in winter landscape” (Wikimedia Commons).


The Third Week of Advent 2019

15 December (Third Sunday)

Lady Ashara Dayne’s first name might be a reference to the Canaanite goddess of the sea shore, Asherah, whose titles include Lady of the Sea and She Who Walks on the Sea. Perhaps this is why in AGOT Ashara is first mentioned in the following lines: And they told how afterward Ned had carried Ser Arthur’s sword back to the beautiful young sister who awaited him in a castle called Starfall on the shores of the Summer Sea. The Lady Ashara Dayne, tall and fair, with haunting violet eyes.

The Bree Calendar: Now me move on from the Shire Calendar to the Bree Calendar, which was used in Bree-land (which included the town of Bree – with the famed The Prancing Pony Inn – as well as the neighboring settlements of Archet, Combe and Staddle). In many regards it was similar to the calendar used by the hobbits of the Shire, and the names of many months are the same.

In this calendar, the first month was called Frery, not Afteryule. Its name most likely comes from the Old English word frēorig, which means “frozen”, “freezing” and “cold”. Frery begins on 23 December and lasts until 21 January.


16 December (Monday)

Ashara Dayne might have been also inspired by another goddess – Astarte, worshiped by the Canaanites and the Phoenicians, who was often identified with Venus and Ishtar. In The Golden Bough Sir James George Frazer mentions that the spring festival of Adonis (Astarte’s lover) would begin once Venus (the planet) appeared in the sky. Most curious for us is his description of a tradition observed in a certain temple of Astarte, where the holiday would commence once a meteor seemingly fell form atop Mount Lebanon into the river called Adonis. It was believed that the meteor was in fact the goddess Astarte herself, coming down from heaven to greet her returning lover.

This custom might have inspired GRRM to create the story about Lady Ashara throwing herself into the sea from a tower at Starfall (we should keep in mind that Castle Starfall stands on an isle where the river Torrentine meets the Sunset Sea, and thus it can be said that Lady Dayne jumped into a river). A meteor can, of course, be described as a falling star – which we see in the Dayne coat-of-arms.

The Bree Calendar: The second month is Solmath, just like in the Shire. As I have explained in the entry from 2 December, Tolkien was probably inspired by the Old English month Solmónaþ (mud-month) here. Solmath corresponds to the period between 22 January and 20 February.


17 December (Tuesday)

In one of my Polish essays I have explored the possible influence of the Ishtar and Tammuz myth on ASOIAF – or rather, its Greek version, where the pair are called Aphrodite and Adonis. The tale goes that in order to protect her lover, Aphrodite put Adonis inside a chest and gave it to Persephone, queen of the underworld, for safekeeping. The later had no clue as to the contents of the trunk, and when she opened it out of curiosity, we found the handsome young Adonis inside and fell in love with him.

Some time later Aphrodite demanded to have Adonis returned to her, but Persephone refused. When asked to mediate, Zeus decreed that Adonis would spend half a year in the underworld with Persephone and the other half on earth with Aphrodite. Each year Adonis would emerge from the underworld in spring, but Aphrodite’s bliss would not last, as her other lover – Ares – would turn himself into a boar and slay Adonis, thus sending him back to the world of the dead for the other six months.

According to Frazer Adonis symbolizes vegetation, and especially corn. Thus, when he goes to the underworld, Adonis symbolizes the seeded corn which is buried in the earth, and his return in spring can be interpreted as sprouting and growing of the new plant.

I have proposed that in ASOIAF, Ashara parallels Aphrodite, and her lover – Brandon Stark (Ned’s brother) evokes Adonis. The name “Brandon” contains “bran”, which can refer to the broken coat of a seed. Thus, I suspect that the legendary Brandon of the Bloody Blade, progenitor of the Stark line and Garth Greenhand’s son, is a wordplay on this meaning of “bran” and in his epithet “blade” is a wordplay on “blade of grass” and “cereal blade”. In fact, the word blade comes from Old English blæd, leaf (I suspect the later meaning of blade was originally a poetic metaphor in which a sharp edge of a weapon was likened to a leaf).

It is interesting that Barristan Selmy, who also loved Ashara, is also associated with corn – the seat of his house is Harvest Hall, and his sigil shows three stalks of yellow wheat. The name “Barristan” reminds me of the word “arista” (plural: aristae), which is also connected with corn and cereal, and comes from Latin word for awn or ear of grain.

The Bree Calendar: Following Solmath, there comes Rethe. And again, in this case the Bree Calendar uses the same name as the Shire Calendar. Rethe begins on 21 February and ends on 22 March.


18 December (Wednesday)

If Ashara Dayne is supposed to symbolize Aphrodite, and Brandon Stark Adonis, then Brandon’s other lover – Barbrey Dustin – parallels Persephone, queen of the underworld who refuses to return Adonis to Aphrodite.

The Bree Calendar: The fourth month is another case where there is a difference between the calendar of Bree and the one used in the Shire. In Bree we find Chithing, not Astron. This month covers the period between 23 March and 21 April and its name seems to be based on the Old English word ciðing, which means “budding” and “germinating”.


19 December (Thursday)

The tale of Ser Clarence Crabb who would bring heads of the men he killed back home, where his wife would bring them back to life, whereupon they would provide the hero with counsel, might be a reference to the Norse story of Mimir. Mimir, a sage widely renowned for his unequaled wisdom, was beheaded by the Vanir due to a misunderstanding. His friend Odin took the head and using herbs and secret arts, endued it with the power to speak – and thus when faced with a difficult choice, Odin could consult with Mimir.

The Bree Calendar: Chithing is followed by Thrimidge, exactly as in the Shire. This name of the fifth month comes from Old English þrimilce (three milking), as it was believed that during this month cows could me milked thrice a day. Thrimidge begins on 22 April and its last day falls on 21 May.


20 December (Friday)

Rickard Stark, who kills Willem Lannister and Tion Frey, two boys held by Robb Stark in Riverrun, is most likely based on Richard III (or rather, on how the monarch is presented by Shakespeare in his play). The Karstark sigil and words – the Sun of Winter – might be a reference to the opening lines of the Bard’s The Tragedy of Richard the ThirdNow is the winter of our discontent / Made glorious summer by this sun of York.

The Bree Calendar: The Bree-landers call their sixth month (22 May – 20 June) Lithe, whereas in the Shire the name Forelithe is used. Old English liþa apparently has the meaning of “mild”, most likely in reference to weather conditions.

The month of Lithe is followed by the Summerdays (which parallel the Lithedays of the Shire). 1 Lithe falls on 21 June, Mid-year’s Day is 22 June. In leap years, an extra day is added after Mid-year’s Day, and it is known as Overlithe2 Lithe‘s Gregorian counterpart is 23 June.

The seventh month in the Bree Calendar is not called Afterlithe as in the Shire – Mede (“meadow”) appears in its place. It begins on 24 June and ends on 23 July.


21 December (Saturday)

In Oak King, Holly King and Renly (the 9 December episode in my 2017 Advent Calendar) and the Polish essay W(r)enly I have theorized that Renly Baratheon’s first name is a reference to wren (Renly = Wren-ly, “wren-like”), and to be more precise – to the robin and wren folktale described by Robert Graves. On winter solstice robin would seek his rival, the wren, and cruelly slay the bird hiding in his green bush. According to Graves, wren symbolizes the Holly King (personification of winter), whereas robin is the Oak King (lord of summer). (The Green Knight from Sir Gawain and the Green Knight who duels Sir Gawain, is another such figure – he even holds a holly bough in his hand in the scene where he enters King Arthur’s hall at Camelot).

In The Golden Bough Frazer mentions the Wren Day custom, where on St. Stephen’s Day (26 December) people would hunt for the wren, either symbolically or literally. This might have been originally connected with the “wren as king of winter called on midwinter” tradition mentioned by Graves. As it happens, Renly and Stannis’ father was Steffon Baratheon, and the name Steffon, which is most likely based on Steffan, a variant of Stephen, as in the saint’s name.

The Bree Calendar: The eight month (24 July – 22 August) is called Wedmath, just like in the Shire. However, in Bree the following month (23 August – 21 September) is not called Halimath, but the name Harvestmath is used (the word itself was most likely developed from Old English Hærfestmonaþ). Harvestmath is followed by Wintring – “the wintry month” – (in the Shire the tenth month is Winterfilth). Wintring corresponds to the time between 22 September and 21 October.


File:Walter Moras - Winterwald.gif

Walter Moras (1856 – 1925), Winterwald (Wintry wood). Wikimedia Commons.


The Fourth Week of Advent 2019

22 December (Fourth Sunday)

Elements of Daenerys’ AGOT plot concerning her marriage to khal Drogo might be loosely based on the legend of Ildico, the last wife of Attila the Hun. In some versions, the mighty warrior dies because of nosebleed on the night of his wedding with Ildico, who might have been a Germanic princess. In other accounts she kills him to avenge her kinsmen who were slain by the Hun.

In some Norse sources Gudrun from the Sigurd and Brynhild story plays the role of Ildico. Gudrun is forced to marry king Atli (Attila), who later murders her brothers to steal their treasure. Taking her vengeance, Gudrun serves Atli the flesh of his sons, then kills him in his bed and at last, sets the entire hall ablaze.

The Bree Calendar: In the Shire the eleventh month is called Blotmath, but in Bree the term is Blooting. Both come from Old English Blōtmōnaþ, the month of sacrifices. Blooting begins on 22 October and lasts until 20 November.


23 December (Monday)

Khal Drogo’s fear of the sea (for which we could use the fancy term thalassophobia) might be a reference to his LOTR namesake, Frodo Baggins’ father, Drogo. The hobbits, just like the Dothraki, are suspicious of large bodies of water. Not Drogo Baggins, alas! Drogo and his wife Primula Brandybuck had the curious hobby of boating. In the year 1380 of the Third Age (when Frodo was twelve), Drogo and Primula drowned while boating on the Brandywine River. Presumably, having this other Drogo’s fate in mind, the khal mindfully keeps away from boats and ships.

The Bree Calendar: The final month bears the name Yulemath (in the Shire it’s Foreyule). Yulemath – the month of Yule (midwinter) – begins on 21 November and comes to an end on 20 December.


24 December (Tuesday, Christmas Eve)

I have noted some parallels between the thirteen children of Jaehaerys and Alysanne and the children of Garth Greenhand, though I am by no means certain they are intentional (please check out Children of Jaehaerys and Alysanne & Children of Garth Greenhand to find out more on this topic).

The Bree Calendar: Just like in the Shire, the midwinter festival consist of two days which do not belong to any of the twelve months. 1 Yule (21 December) is the last day of the Old Year and the New Year begins on 2 Yule (22 December). Thus we have covered all the months in both calendars, the one used by the hobbits of the Shire and the one followed in Bree.

Yule is mentioned in The Hobbit:

Anyway by midwinter Gandalf and Bilbo had come all the way back, along both edges of the Forest, to the doors of Beorn’s house; and there for a while they both stayed. Yule-tide was warm and merry there; and men came from far and wide to feast at Beorn’s bidding.

May Christmas be merrier still!

“Gode sȳ wuldor on hēahnesse and on eorðan sybb mannum gōdes willan” (from the West-Saxon Gospels, Luke 2:14)

With best wishes, yours

Bluetiger


File:The Shepherds and the Angel.jpg

Carl Bloch (1834 – 1890), “The Shepherds and the Angel” (Wikimedia Commons).


***

Advent Calendar 2019

éala éarendel engla beorhtast
ofer middangeard monnum sended

Hail Earendel, brightest of angels
over middle-earth to mankind sent

– from the Old English poem “Crist I”

It has become something of a tradition that every year with the coming of Advent I start a series of short entries at this blog, and this format was inspired by the traditional Advent calendar. There were two previous editions, the original one in 2017 and its 2018 sequel… and thus, there was an Advent calendar ever since I’ve set up this blog – with the initial name of “The Amber Compendium”, subsequently changed to “The Tolkienic Song of Ice and Fire”, as such was the direction in which my thoughts and then my essays turned. It stands reason that this emergent tradition should be maintained. Another consistent characteristic of my December series is the inconsistency of form between those yearly editions.

Julius Arthur Thiele - Deer in a Winter Woodland.png

Julius Arthur Thiele (1841–1919), “Deer in a Winter Woodland” (Wikimedia Commons)

My first Calendar – of 2017 – consisted of 22 daily posts, each devoted to a distinct topic. The topics themselves varied greatly. A significant portion of them concerned parallels between George R.R. Martin’s A Song of Ice and Fire and J.R.R. Tolkien’s Legendarium. Other posts focused solely on aspects of Tolkien’s mythology, such as the final Christmas Eve entry in which I discussed – rather briefly – the impact of the Old English poem “Crist I” (also known as The Advent Lyrics, and thus quite apt for my calendar series itself) on Tolkien’s mythopoeic endeavors. It should be noted that I later followed up on many leads merely hinted in the 2017 Advent calendar – for example, my Polish essay Tom Bombadil i Zimnoręki published at FSGK PL this July expands on ideas discussed in the opening post of the Advent calendar from 2017. Another such case is W(r)enly from October 2019, which was developed from the final section of the 9 December 2017 entry.

This way of presenting ideas – one post released every Advent day – proved perhaps too strenuous to the reader. Keeping in mind that many people simply don’t have that much free time to spare, the following year – in December 2018 – I made the decision to change the format. Thus, there were only four long posts, released one by one on the four Advent Sundays – The Return of the Queen, Eärendil, Bearer of Light, The Jade Empire and finally, Aenar’s Aeneid. There were also daily “posts” – but this time in the shape of tweets.

This year the format changes again – there will be short entries added to one post pinned at the top of this blog’s homepage, and the same short tidbits will be also released at my Twitter profile. As for the topics, this year I will share with you those ideas I’ve been exploring in the past year. Almost all of my 2019 writings related to ASOIAF and Tolkien were in Polish – you can find them at the Polish fan-site FSGK.PL – most easily by looking at https://fsgk.pl/wordpress/author/bluetiger/. Of those only one was later released in English (The Fate of Frey). As not that many people know my native language, Polish, this Advent calendar series might be the perfect way to share those theories and ideas with a wider audience language-wise.

File:Charles James De Lacy - The Winter Carriage.jpg

Charles de Lacy (1856–1929), “The Winter Carriage” (Wikimedia Commons)

Since the series’ format is a reference to a calendar, I thought that it would be fitting to also explore how two calendars created by Tolkien – the Shire Calendar and the Bree Calendar – correspond with the Old English calendar, as described by Saint Bede the Venerable in “De temporum ratione”. Therefore, there will be actually two daily tweets (and corresponding entries added to the post pinned at the top of this blog) – one with a short tidbit from one of my ASOIAF or JRRT essays, and one with trivia about one of the months from those two calendars used in Tolkien’s Middle-earth.

With that said, the 2019 Advent calendar begins,

Yours, Bluetiger

Link to the post in which daily tidbits will be collected: https://theambercompendium.wordpress.com/2019/12/01/advent-calendar-2019-entries/

***

For the previous editions of my Advent Calendar please check out:

2017

The Advent Calendar 2017 – Introduction
The Advent Calendar 2017 – List of Episodes
Kalendarz adwentowy 2017 – Wstęp (The Advent Calendar 2017 – Introduction in Polish)
Kalendarz adwentowy 2017 – Lista odcinków (The Advent Calendar 2017 – List of Episodes in Polish

2018

The Advent Calendar 2018 – Introduction
Four Weekly Essays published on Advent Sundays:

Kalendarz Shire’u J.R.R. Tolkiena – porównanie z kalendarzem staroangielskim

Stworzony przez J.R.R. Tolkiena kalendarz Shire’u opisany w dodatku D “Władcy Pierścieni” porównany z kalendarzem anglosaskim (staroangielskie nazwy miesięcy według “De Temporum Ratione” świętego Bedy Czcigodnego).

(opracował Bluetiger):

Miesiąc w kalendarzu Shire’u (stworzonym przez J.R.R. Tolkiena) Znacznie nazwy: Współczesny odpowiednik: Miesiąc w kalendarzu staroangielskim Znacznie nazwy: Współczesny odpowiednik:
2 Yule drugi z Yuledays (Godów), nowy rok 22.12      
1.         Afteryule „po Yule” 23.12 – 21.01 Æfterra Gēola „po Yule” Styczeń/January
2.         Solmath „miesiąc błota” 22.01 – 20.02 Sol-mōnaþ „miesiąc błota” Luty/February
3.         Rethe od staroang. „hreþmonaþ”,

w znaczeniu „rough-month”

21.02 – 22.03 Hrēþ-mōnaþ „miesiąc bogini Hrēþ (Rhede)” Marzec/March
4.         Astron od “eastre” (jak w „Easter”), od pragerm. „świt” 23.03 – 21.04 Ēosturmōnaþ „miesiąc bogini Ēostre”,

„miesiąc Wielkanocy (Easter)”

Kwiecień/April
5.         Thrimidge „þrimilce” 22.04 – 21.05 Þrimilcemōnaþ „Month of Three Mikings”, miesiąc, gdy krowy dają mleko trzy razy dziennie Maj/May
6.         Forelithe „przed Lithe (Sobótką)” 22.05 – 20.06 Ærra Līþa „przed Lithe” (Śródleciem Czerwiec/June
1 Lithe „pierwszy dzień Lithe” (Sobótki, Śródlecia) 21.06      
Mid-year’s Day „dzień Śródlecia” 22.06      
Overlithe „nad-Lithe” dodatkowy dzień w latach przestępnych      
2 Lithe „drugi dzień Lithe” 23.06      
7.         Afterlithe „po Lithe” 24.06 – 23.07 Æftera Līþa „po Śródleciu” Lipiec/July
8.         Wedmath „miesiąc traw” 24.07 – 22.08 Weōdmōnaþ „miesiąc traw/roślin” (por. „weed”) Sierpień/August
9.         Halimath „święty miesiąc” 23.08 – 21.09 Hālig-mōnaþ „święty miesiąc” Wrzesień/

September

10.    Winterfilth „pierwsza zimowa pełnia ksieżyca” 22.09 – 21.10 Winterfylleth

(Winterfylleþ)

„pierwsze napełnienie (księżyca) zimą” Październik/

October

11.    Blotmath patrz staroang. 22.10 – 20.11 Blōtmōnaþ „miesiąc blót” (ofiar) Listopad/

November

12.    Foreyule „przed Yule” (Godami) 21.11 – 20.12 Ærra Gēola „przed Yule” Grudzień/

December

1 Yule „pierwszy dzień Godów

/Śródzimia”

21.12      

 

1 Yule & 2 Yule = Yuledays, święto śródzimia, końca starego roku i początku nowego.

1 Lithe & Mid-year’s Day & Overlithe (w latach przestępnych) & 2 Lithe = Lithedays, święto śródlecia

***

Kalendarz Bree

Miesiąc w kalendarzu Bree Znaczenie nazwy: Współczesny odpowiednik: Odpowiednik w kalendarzu Shire’u
2 Yule „drugi dzień Yule” 22.12 2 Yule
1.         Frery od staroang. „frēorig”

(mroźny, lodowaty, zamarzający)

23.12 – 21.01 Afteryule
2.         Solmath „Solmónaþ”, miesiąc błota 22.01 – 20.02 Solmath
3.         Rethe „od staroang. „hreþmonaþ”,

w znaczeniu „rough-month”

21.02 – 22.03 Rethe
4.         Chithing „ciðing” (kiełkujący, wschodzący) 23.03 – 21.04 Astron
5.         Thrimidge „þrimilce” (miesiąc, gdy krowy dają mleko trzy razy dziennie) 22.04 – 21.05 Thrimidge
6.         Lithe „liþa” (czerwiec, lipiec) 22.05 – 20.06 Forelithe
1 Lithe (Summerdays) „pierwszy dzień Sobótki” 21.06 1 Lithe
Mid-year’s Day (Summerdays) „dzień śródlecia” 22.06 Mid-year’s Day
Overlithe (Summerdays) „nad-Lithe” dodatkowy dzień w latach przestępnych Overlithe
2 Lithe (Summerdays) „drugi dzień Sobótki” 23.06 2 Lithe
7.         Mede „łąka” 24.06 – 23.07 Afterlithe
8.         Wedmath „Wéodmónaþ” (miesiąc traw) 24.07 – 22.08 Wedmath
9.         Harvestmath „Hærfestmonaþ” (miesiąc żniw) 23.08 – 21.09 Halimath
10.    Wintring „zimowy, zimny” 22.09 – 21.10 Winterfilth
11.    Blooting „Blōtmōnaþ” (miesiąc blót – ofiar) 22.10 – 20.11 Blotmath
12.    Yulemath „miesiąc Yule (Godów” 21.11 – 20.12 Foreyule
1 Yule „pierwszy dzień Godów” 21.12 1 Yule

 Według rozdziału “De mensibus Anglorum” w dziele “De Temporum Ratione” Bedy Czcigodnego nazwy anglosaskich miesięcy to (w nawiasach podano łacińskie odpowiedniki): Giuli (Januarius), Sol-monath (Februarius), Rhed-monath (Martius), Eostur-monath (Aprilis), Thrimylchi (Maius), Lida (Junius), Lida (Julius), Vueod-monath (Augustus), Haleg-monath (September), Vuinter-fylleth (Oktober), Blod-monath (November), Giuli (December).

Najwyraźniej uczony podając nazwy grudnia i stycznia, oraz czerwca i lipca pominął przedrostki “przed” lub “po”, gdyż grudzień to Ærra Gēola (Przed-Yule), styczeń to Æfterra Gēola (Po-Yule), czerwiec to Ærra Līþa (Przed-Lithe) zaś lipiec Æftera Līþa (Po-Lithe).

Pisząc o pochodzeniu nazwy “Vuinter-fylleth” (Winterfylleth), Beda wywodzi ją od słów “zima” oraz “pełnia księżyca”: Unde et mensem quo hyemalia tempora incipiebant Vuinter-fylleth appellabant, composito nomine ab hyeme et plenilunio, quia videlicet a plenilunio eiusdem mensis hyems sortiretur initium. (…) Vuinter-fylleth potest dici composito novo nomine hyemeplenilunium. (Bede Venerabilis, De Temporum Ratione, Caput XV: De mensibus Anglorum).

The Fate of Frey

The Fate of Frey by Bluetiger

Originally published in the Polish language at FSGK PL as Taniec z Mitami: Przeznaczenie Freya (https://fsgk.pl/wordpress/2019/09/taniec-z-mitami-przeznaczenie-freya/)



The last time we saw him, a blizzard forced Stannis Baratheon to halt his march on Winterfell and make camp in an abandoned crofters’ village by an ice-bound lake, some three days away from his destination. Against his army, made up of knights and men-at-arms who have accompanied the claimant from the South, and warriors of the mountain clans, two hosts have been dispatched by Roose Bolton. The first of those is led by Lord Wyman Manderly, while the second consists of Freys, aiding the Lord of Dreadfort in subjugating the North, in accordance with their alliance pact sealed before the Red Wedding.

The contingent from the Twins was led by Lord Walder’s third son, Ser Aenys Frey, until a clever trap set by Stannis’ ally Mors Umber caused his demise. In this situation, the command of the Frey detachment passed to Walder’s sixth son, Hosteen.

Although Ser Hosteen is a battle-hardened warrior, it would appear he finds following orders much easier than giving them. Stannis’ opinion about the knight’s abilities is rather unflattering, and he goes as far as to name him “Ser Stupid”. To make matters even worse (at least from the Frey point of view), Hosteen is an impulsive man and lacks the restraint (and calculatedness) which characterizes some of his kin.

When a series of suspicious deaths begins in Winterfell, Hosteen makes it no secret that he believes Manderly is the culprit. He has no doubts that lord Wyman was involved in the enigmatic disappearance of three Freys (Jared, Symond and Rhaehar) traveling from the White Harbor to Winterfell either. Following Little Walder’s murder, Hosteen publicly puts the blame on Manderly, who denies such allegations, but declares that perhaps the youth’s death was a blessing – “had he lived, he would have grown up to be a Frey”. Hearing those words, the future commander of an entire army can’t help but to allow himself to be provoked, and attacks the Lord of White Harbor, only to be stopped by Manderly’s knights.

House Frey coat-of-arms by Abjiklam

To prevent future disputes within Winterfell’s walls, and dispose of bothersome allies (at least one of whom can be strongly suspected of being disloyal), Roose Bolton sends the Freys and the Manderlys against Stannis. However, due to aforementioned animosity between the two houses, their forces set off separately (which is quite beneficial for Wyman, if he really has plans to switch sides, and also suspiciously convenient for Mors Umber, since only the Freys fall into his trap). Thus, Ser Hosteen and his men will have to face Stannis Baratheon on their own.

***

What will be the result of this engagement? Many a theory has been written about this incoming battle, known as the Battle of Ice, but this time, we will turn to Norse Mythology, where – as I believe – some hints about our Frey’s fate can be found.

Much can be said about the influence those tales had on George R.R. Martin’s works. From Dreamsongs we know that the writer has read the Eddas (the older Poetic Edda and the younger Prose Edda) and some of the Icelandic Sagas.

My major was journalism, but I took a minor in history. My sophomore year I signed up for the History of Scandinavia, thinking it would be cool to study Vikings. Professor Franklin D. Scott was an enthusiastic teacher who invited the class to his home for Scandinavian food and glug (a mulled wine with raisins and nuts floating in it). We read Norse sagas, Icelandic eddas, and the poems of the Finnish patriotic poet Johan Ludvig Runeberg. I loved the sagas and the eddas, which reminded me of Tolkien and Howard.
—George R.R. Martin, Dreamsongs

Today we fill focus on a certain event which takes place during the end of the world (at least as we know it) described in the Eddas, when the destiny of the gods will be fulfilled, and Asgard and all the other worlds, including Midgard, will be destroyed in fire. This final battle between the forces of good and evil will is known as Ragnarök, which means “the fate of the gods” or “the destiny of the gods”. Due to an error in translation of this Old Norse term, there exists a second term for this Doomsday – the Twilight of the Gods (Götterdämmerung), made well-known in a large part because of Richard Wagner’s music drama The Ring of the Nibelung.

File:Kampf der untergehenden Götter by F. W. Heine.jpg

Friedrich Wilhelm Heine, Battle of the Doomed Gods An artistic vision of Ragnarök (Wikimedia Commons)

In A Song of Ice and Fire we find many references to events heralding Ragnarök and taking place during it, such as: the terrible winter (Fimbulvinter) lasting for three years, the swallowing of the sun and the moon by the wolves named Sköll and Hati, the Iron-holt (Iron-wood) Járnviðr¹, the hound Garmr belonging to the goddess Hel, the horn-blowing Heimdall, the three crowing roosters, Valhalla, Tyr and Fenrir, Odyn and his ravens, the World Tree Yggdrasil, the Midgard Serpent Jörmungandr… influences from other myths can also be discerned (it is worth to mention, for instance, the valkyries, the undead draugr, Loki, Iðunn and her apples, the tale about Baldur’s death inadvertently causes by the blind Höðr).

¹ Simplifying,  ð is pronounced in a similar way to th in words like father and that.

All those connections are a fascinating topic, one to which we will surely return in the future. However, in this essay, I wany to primarily  bring to your attention one event and two heroes.

In order to do so, we have to reach out to the Poetic Edda, which begins with the poem Völuspá, which can be translated as The Prophecy of the Völva or The Prophecy of the Seeress. According to beliefs of the pre-Christain Indianina, a völva was a person whom we could also call a prophetess, a foretelling woman or a seeress (think of seer, on the basis of which GRRM has created his greenseer term). It is curious that another word for a völva is vala (in fact, Völuspá sometimes appears as The Prophecy of the Vala) – perhaps this is where GRRM got the name Val from. After all, the ASOIAF Val might be, in a way, a priestess of the old gods, and it also appears that the author intentionally contrasts her with Melisandre, a believer of the fire god.

Snorre Sturluson-Christian Krohg.jpg

Christian Krohg, Snorri Sturluson – author of the Prose Edda (Wikimedia Commons)

In the poem Völuspá a certain völva is asked by Odin to present the history of the world, beginning with its creation and finishing with its end, Ragnarök. Here we are mainly interested in one event in the final battle between the gods (Æsir and Vanir) and the giants.

According to the seeress’ words, among portent revealing that the end is near will be the following events: a witch living in Járnviðr (Ironwood) will give birth to two offspring of Fenrir the wolf, Sköll and Hati, who shall steal the sun and snatch the moon from the firmament; three roosters shall crow – the golden Gillinkambi in Valhalla, the crimson Fjalar in Jotunheim, and the unnamed soot-red rooster in Hellheim; the infernal hound Garmr guarding the entrance to the realm of the dead will howl and fetters binding him shall burst.

There will come a time when:

Brothers shall fight and fell each other,
And sisters’ sons shall kinship stain;
Hard it is on earth, with mighty whoredom;
Axe-time, sword-time, shields are sundered
Wind-time, wolf-time², ere the world falls;
Nor ever shall men each other spare.
—From Henry Adam Bellows’ translation of Völuspá in The Poetic Edda

² Perhaps this is why GRRM originally wanted to name one of the ASOIAF novels A Time for Wolves.

Then Heimdall, guarding the rainbow bridge Bifrost, which connects Midgard (lands inhabited by humans) with Asgard (realm of the gods), shall blow his horn Gjallarhorn. When it sounds, the World Tree Yggdrasil will shiver. The giant Hrym will come from Jotunheim, bearing a shield. The serpent Jörmungandr, surrounding Midgard, will writhe, arousing enormous waves. The ship Naglfar will sail on this turbulent sea, carrying Loki and his host of monsters and giants.

Another enemy of the gods who will arrive is Surtr, a giant coming forth from Muspelheim (realm of fire) the south. His flaming sword will shine brighter than the sun.

File:The giant with the flaming sword by Dollman.jpg

John Charles Dollman, The Giant with the Flaming Sword (Wikimedia Commons)

During Ragnarök the gods – and their allies, mortal warriors who were slain in earlier battles and whose souls were carried to Valhalla by the valkyries, to await this one last fight – will stand against the forces of evil. According to the Prose Edda, which was written by Snorri Sturluson (12th and 13th century Icelandic poet and historian descended from the influential Sturlung clan), the Rainbow Bridge Bifrost will collapse when giants from Muspelheim, led by Surtr, will cross it.

Odin will sally forth with warriors of Valhalla to face the monstrous wolf Fenrir, and will be devoured by him. Vidar will avenge his father’s death. The one-handed Tyr (who has sacrificed his limb so the gods could capture Fenrir) will fight goddess Hel’s dire hound Garmr – the adversaries will kill one another. The result of Heimdall’s duel with the treacherous Loki will be similar. Thor’s destiny will be to combat Jörmungandr, and he will manage to slay the beast, but won’t leave long enough to boast of it – he will perish, poisoned the Midgard Serpent’s venom. Freyr will stand in the way of the giant Surtr (brandishing the shining sword, as bright as the sun), but won’t manage to overcome him and will fall dead. At the very end, Surtr will use his weapon to engulf the entire world in flames. Thus the destiny of the gods will be fulfilled.

File:Tyr and Fenrir-John Bauer.jpg

John Bauer (1882 – 1918), Tyr and Fenrir (Wikimedia Commons)

***

I suspect that when George R.R. Martin created a scenario where, in the Battle of Ice, Stannis Baratheon and Hosteen Frey become adversaries, he has this very scene with Surtr and Freyr in mind.

The surname “Frey” is most likely a reference to “Freyr” (whose name is often anglicized as Frey). The mythical Frey was one of the Vanir, the elder group of Norse deities, which was supplanted by the Æsir led by Odin. As it was described in Philip Parker’s book  The Northmen’s Fury: A History of the Viking World, according to some researchers, the merger of two pantheons (Æsir & Vanir) might suggest that two distinct peoples, worshiping different gods, were united. There are also theories that the Scandinavians originally worshiped the Vanir, deities associated with fertility and prosperity, and only later did the Odinic cults develop (it seems this god rose to prominence in the Vendel Period – between roughly 550 and 790 AD – shortly before the Viking raids began).

File:Freyr by Johannes Gehrts.jpg

Johannes Gehrts, Freyr (Wikimedia Commons)

Be it as it may, Freyr was the god of fertility and virility. His twin sister was Freya, goddess of love. Their parents were Njörðr, protector of the sea, sailors and fishermen, but also god of winds; and (at least in some accounts) Skaði, goddess of skiing, mountains, winter and hunting.

Just like Freyr, House Frey (and especially its patriarch, Lord Walder) is famous because of its fertility. We may see another parallel if we look at the god’s steed, the golden boar Gullinbursti, whose bristle glowed in the dark. Actually, Ser Hosteen also has a connection with with animal. To find out how this parallel works, we have to simply look at the sigil of the house his mother Amarei Crakehall came from.

House Crakehall.svg

House Crakehall coat-of-arms by Abjiklam

***

As for Stannis and Surtr, the obvious similarity between the two is the flaming sword – Lightbringer is described in a way reminiscent of the fiery giant’s weapon. What is more, in some scenes George R.R. Martin appears to be using the same phrase as Snorri Sturluson in Prose Edda. Just like Surtr’s blade, Stannis’ sword is compared to the sun:

Stannis Baratheon drew Lightbringer. The sword glowed red and yellow and orange, alive with light. Jon had seen the show before … but not like this, never before like this. Lightbringer was the sun made steel. (…)

Lightbringer was brighter than I’d ever seen it. As bright as the sun.” Jon raised his cup. “To Stannis Baratheon and his magic sword.”

A Dance with Dragons, Jon III—

In Rasmus Björn Anderson’s translation of  Gylfaginning from the Prose Edda we read that:

In the midst of this clash and din the heavens are rent in twain, and the sons of Muspel come riding through the opening. Surt rides first, and before him and after him flames burning fire. He has a very good sword, which shines brighter than the sun. As they ride over Bifrost it breaks to pieces, as has before been stated.

Prose Edda by Snorri Sturluson, translated by Rasmus Björn Anderson—

Just like Surtr, Stannis came from the South, while his seat – the volcanic isle of Dragonstone – is a place which we can call a realm of fire, just like Muspelheim, the jötunn’s home. In Iceland, there exists a complex of lava caves, which must have reminded the locals of the fire giant’s domain, as they gave it the name of Surtshellir (Surt’s Cave). In the middle ages, outlaws used the cavern as their hideout, but according to long-persistent folk beliefs, in ancient times it was Surtr himself who lived there. I don’t know if George R.R. Martin heard about this place, but at the very least, its name demonstrates how Icelanders imagined the seat of the Lord of Múspell – and Dragonstone is quite similar to such a vision.

File:Surtur mit dem Flammenschwerte.jpg

Friedrich Wilhelm Engelhard, Surtur mit dem Flammenschwerte – Surtr with a flaming sword (Wikimedia Commons)

Is Stannis a giant? Well, the Baratheons are famous because of their height, and in A Game of Thrones Robert is described as a “veritable giant”. Is this enough to determine that his younger brother is another giant, which would strengthen a thesis about his connection with Surtr?

It just so happens that in A Dance with Dragons there is a scene where something curious happens to Stannis’ shadow, when the Wildlings who want to pass to the other side of the Wall are forced to burn weirwood branches:

They came on, clutching their scraps of wood until the time came to feed them to the flames. R’hllor was a jealous deity, ever hungry. So the new god devoured the corpse of the old, and cast gigantic shadows of Stannis and Melisandre upon the Wall, black against the ruddy red reflections on the ice.

A Dance with Dragons, Jon III—

This quote comes, funnily enough, from the very chapter where just after “Mance Rayder” is burned and just before the Wildlings cross to the southern side of the Wall, Lightbringer suddenly shone brighter than ever before, becoming “the sun made steel”. Jon’s third chapter in ADWD is a place where we find an unusual concentration of Norse Mythology references: Tormund (Thor), the Horn of Joramun (Jörmungandr), Ygritte (whose name most likely comes from Yggdrasil, and perhaps contains the word “rite” as well), Val (vala, or völva, a priestess and a seeress) and Sigorn (perhaps Sigurd, and even if this is not the case, the name still has a Norse ring). Perhaps Stannis (his shadow) as a giant is another of those, foreshadowing his future role as Surtr fighting the Freys.

To crown it all, the Wall itself can be seen as a symbol of the Rainbow Bridge. We can do so because of descriptions such as this, coming to us from Jon’s eleventh chapter in A Dance with Dragons:

Outside the day was bright and cloudless. The sun had returned to the sky after a fortnight’s absence, and to the south the Wall rose blue-white and glittering. There was a saying Jon had heard from the older men at Castle Black: the Wall has more moods than Mad King Aerys, they’d say, or sometimes, the Wall has more moods than a woman. On cloudy days it looked to be white rock. On moonless nights it was as black as coal. In snowstorms it seemed carved of snow. But on days like this, there was no mistaking it for anything but ice. On days like this the Wall shimmered bright as a septon’s crystal, every crack and crevasse limned by sunlight, as frozen rainbows danced and died behind translucent ripples. On days like this the Wall was beautiful.

A Dance with Dragons, Jon XI—

Considering that, as we have just established, Stannis symbolizes Surtr, and according to the Prose Edda a host led by the giant will cause Bifrost to collapse, the image we begin to see is sinister. Will Stannis play some role in the Wall’s downfall?

Since Ser Hosteen is Freyr’s counterpart, and Stannis is a Surtr analogue, we should suspect that the Baratheon and his men will succeed in defeating the Frey army in the battle of the crofters’ village. If the scenario DaeL has plotted out in one of his Wild Theories (Szalone Teorie), GRRM will recreate the myth quite thoroughly. If Hosteen leads his men in a charge over the frozen lake, and if the ice breaks under them, we will get out shattering Bifrost. And if Stannis makes use of the trick used by the pirates of the Three Sisters, luring the Freys onto the lake, while the king himself will be safely positioned on an isle, and in the crucial moment of the charge will use Lightbringer to blind his enemies – well, GRRM’s Freyr will die because of Surtr’s sword brighter than the sun, just like his mythical predecessor.

And even if the events of The Winds of Winter won’t unfold exactly in this way, when Stannis Baratheon and Hosteen Frey face one another in battle, the pattern established by Snorri in the Prose Edda will still be fulfilled. The Freys will live to see their own Ragnarök.


Thanks for reading, I hope you’ve enjoyed this piece
Yours, Bluetiger

***

The Name “Valyria”

An Excerpt From Bluetiger’s Aenar’s Aeneid, Part II – “Of Arms and the Man I Sing”, Published in Polish at FSGK on June 29, 2019

Translated and Published Here As:

The Name “Valyria”


From Chapter III: “Targaryens were rightly regarded as being closer to gods than the common run of men”

Aeneas’ wife Creusa was Cassandra’s sister, daughter of King Priam and Queen Hecuba. Yet the hero’s connections to the Trojan royal family go deeper than that, for Aeneas descended from a cadet branch of that dynasty. His father Anchises was the son of Themiste, aunt of King Priam, and Capys, who was the brother of Priam’s grandsire, Assaracus.

Perhaps we see a reference to this genealogy when it is mentioned that the Targaryens were one of the lesser houses of dragon lords. There were no kings in Valyria, thus George R.R. Martin could not present Aenar as a scion of some offshoot branch of the reigning dynasty; so he made the Targaryens into an insignificant house, which was, however, still numbered among the dragon lords.

We may find more curious parallels between Aenar and Aeneas when we look at the later’s mother, the goddess Aphrodite (who in Vergil’s epic bears the name Venus) – this parentage makes our hero a demigod. Are passages such as this referring to this fact?

On Dragonstone, where the Targaryens had long ruled, the common folk had seen their beautiful, foreign rulers almost as gods. —The World of Ice and Fire—

… and:

Upon Dragonstone, (…) Targaryens were rightly regarded as being closer to gods than the common run of men. —The Princess and the Queen—

Aeneas was a demigod, Aenar and his descendants were considered gods… is this a mere coincidence, or a deliberate reference on George R.R. Martin’s part?

The author of A Song of Ice and Fire leaves his readers with another clue as to whom the dragon lords thought themselves to be, and what others thought of them, in the very word he uses for their nation and state: the Valyrians and Valyria. Within the secondary universe, the word valar means people, men, as demonstrated by the saying valar morghulis, valar dohaeris – all men must die, all men must serve. However, the term Valar is well-known outside the fictional setting of Westeros. There is no doubt that George R.R. Martin is referencing the Valar from The Silmarillion and J.R.R. Tolkien’s other literary works:

The Great among these spirits [the Ainur, ‘Angels’; Bluetiger’s note] the Elves name the Valar, Powers of Arda, and Men have often called them gods. —J.R.R. Tolkien, The Silmarillion, Valaquenta—

By using the word Valar; which in High Valyrian signifies people (initially it probably denoted only the Valyrians), and the echoes of which we can hear in words such as Valyrians and Valyria; the author shows his readers that Valyrians believed they were equal to the gods (or at least “The Powers of the World”, “gods”, i.e. the Tolkienic Valar). Perhaps George R.R. Martin went a bit further and made use of the close relation of two Quenya words – Valar and Valaraukar, the later being the name of the fire demons which in the Sindarin tongue are known as the Balrogs. If GRRM had these Tolkienic meanings in mind, this makes his Valyrians concurrently “the Valar” and “the Balrogs”, superhuman and dreadful lords of fire. Both images fit the dragon lords perfectly.

It is worth to mention that in House Targaryen itself appear names such as Valarr and Valerion, which strongly evoke the Valar.

***


 

Children of Jaehaerys and Alysanne & Children of Garth Greenhand

I’ve noticed some parallels between the 13 children of Jaehaerys and Alysanne from TWOIAF and Fire and Blood and Garth Greenhand’s 13 notable children from TWOIAF. The similarities are the strongest in the following pairs: Baelon & John, Saera & Florys, Alyssa & Rose, Viserra & Gilbert, Maegelle & Maris, Daella & Ellyn. It is much harder to find out who parallels Gael, Aemon, Aegon, Vaegon and Daenerys. Daenerys’ case is especially difficult, most likely because at the time when TWOIAF was complied, this character did not exist – Princess Daenerys replaced Prince Aeryn Targaryen. I believe Aeryn was supposed to parallel either Brandon of the Bloody Blade or Foss the Archer.

Child of Jaehaerys & Alysanne Child of Garth Greenhand Parallels between the two:
Baelon Targaryen (Baelon the Brave) John of the Oak John, “The First Knight”, supposedly introduced chivalry to Westeros and founded House Oakheart of Old Oak. In order to win knighthood, Baelon journeyed to Old Oak and took part in Lord Oakheart’s tourney as a mystery knight known as the Silver Fool.
Saera Targaryen Florys the Fox Florys had three husbands, each ignorant of the existence of the others.

Saera had three lovers, Jonah Mooton, Roy Connington and Braxton Beesbury. Each believed he was “the one”.

Alyssa Targaryen Rose of Red Lake Rose of Red Lake had the power to turn into a crane.

Alyssa loved flying so much she would fly on her dragon Meleys the Red Queen with her infant sons, Viserys and Daemon. Alyssa’s name evokes her mother, Queen Alysanne, whose dragon Silverwing made her lair on an isle in the Red Lake.

Viserra Targaryen Gilbert of the Vines Gilbert invented wine.

Viserra had a fondness for wine and other beverages. She died while racing drunkenly through the streets of King’s Landing.

Maegelle Targaryen (Septa Maegelle) Maris the Maid (Maris the Most Fair) Both lived in Oldtown.
Daella Targaryen Ellyn Ever Sweet Ellyn “sought out the King of the Bees in his vast mountain hive and made a pact with him, to care for his children and his children’s children for all time”.

Daella traveled to the Eyrie and married Lord Rodrik Arryn, becoming a step-mother for his children.

The Eyrie is often described as a honeycomb (“From below it looked like a small white honeycomb” in Catelyn’s AGOT chapter. Tyrion imprisoned in its Sky Cells calls himself “a bee in a stone honeycomb, and someone had torn off his wings”, and in AFFC, Alayne Stone thinks that “The Eyrie shrank above them. The sky cells on the lower levels made the castle look something like a honeycomb from below. A honeycomb made of ice”).

It is also mentioned that, ironically, Daella was afraid of bees and gardens. To scare her, Saera would put bees in her chamberpot.

Vaegon (Archmaester) Rowan Gold Tree or Foss the Archer Vaegon’s mask, rod and ring were made of gold, thus his area of expertise was mathematics. House Fossoway was famous for its financial skills (Florence Fossoway was the unofficial “master of coin” for Jaehaerys).

Alternatively, Vaegon (with his golden attire) parallels Rowan Gold Tree.

Gael (the Winter Child) Owen Oakenshield or

Rowan Gold Tree

Gael drowned in Blackwater Bay after her lover, a wandering minstrel, left her. In TWOIAF, it is mentioned that Rowan’s lover also abandoned her.
Gaemon & Valerion Herndon of the Horn

Harlon the Hunter

Gaemon and Valerion were not twins, but they were the 11th and 12th children of Jaehaerys and Alysanne. It is mentioned that as an infant, Valerion was similar to Gaemon.
Aegon Bors the Breaker Alysanne believed her son would have survived, had she been allowed to bathe in the sacred springs of Maidenpool.

Bors supposedly gained his strength by drinking bull’s blood

Aegon was named after his uncle Aegon the Uncrowned, who was killed by Maegor. The seat of House Bulwer is at Blackcrown.

In ASOIAF, there is a member of the Bulwer family named Alysanne, presumably after Aegon’s mother.

Daenerys (in TWOIAF: Aeryn) Foss the Archer? Brandon? Rowan?
Aemon Brandon of the Bloody Blade or Owen Oakenshield Arguments for Owen:

During the Myrish Bloodbath, Aemon led the royal forces to Tarth, in order to win it back from Myrish pirates. Owen conquered the Shield Islands and drove merlings and selkies into the sea. It is also mentioned that Aemon’s daughter Rhaenys accompanied Jaehaerys when he visited all four Shield Islands.

Arguments for Brandon:

Aemon’s dragon was Caraxes, the Blood Wyrm. Caraxes and its rider Daemon Targaryen fell into God’s Eye lake during the Battle Above God’s Eye in 130 AC. The waters of the like boiled when the dragon’s blood poured into it. Brandon slew so many Children of the Forest at Blue Lake that it became thereafter known as Red Lake.

The Tolkienic Song of Ice and Fire: Sailing to the Uttermost West

The Tolkienic Song of Ice and Fire: Sailing To The Uttermost West

by Bluetiger

***

Introduction

In the final episode of Game of Thrones Arya Stark makes the choice of leaving Westeros and sailing west, into uncharted waters of the Sunset Sea and whatever seas and oceans might lay further. Many fans made a connection between this conclusion to Arya’s story and the ending of J.R.R. Tolkien’s The Lord of the Rings, where several characters, such as Frodo, Bilbo, Elrond, Galadriel and Gandalf also sail west from the Grey Havens.

Considering there were so many visual and storywise references and similarities to LOTR, I believe it is quite likely that the GOT screenwriters included this parallel intentionally. From a certain point of view, I think Arya’s ending in the ASOIAF novels could be generally the same. Perhaps different events will lead to it, but I can see Arya doing such a thing. After all she always admired Nymeria, the warrior queen of the Rhoynar who led the famous fleet of ten thousand ships, to the point where she named her direwolf pup after her. Actually, it is in Arya’s chapter where the reader first hears about Queen Nymeria and what she did, early in A Game of Thrones.

Maybe the story of Elissa Farman from Fire & Blood is also supposed to foreshadow Arya’s fate. After all, both characters have a connection to Braavos – Arya travels there and becomes a Faceless Man in the making, Elissa flees there after stealing three dragon eggs from Dragonstone. In fact, both heroines have abandoned their name and surname in this Free City and assumed a new identity – Arya became the Cat of the Canals, No One, the Blind Girl and Mercedene “Mercy”, Elissa Farman became Alys Westhill. It’s also quite curious that of all the names, GRRM made the choice to make Elissa’s alias “Alys” – after all, in ASOIAF, that’s the name of Arya’s lookalike Alys Karstark, who might be the grey girl on a dying horse Melisandre saw in a vision.

The name Elissa also holds special significance and deep symbolic meaning, I believe – several months ago, I wrote an essay about parallels between ASOIAF and Vergil’s The Aeneid: Aenar’s Aeneid a Tolkienic Song of Ice and Fire essay by Bluetiger; The Advent Calendar 2018, Week Four. It turns out that the mythological Elissa was a Queen of Tyre who was forced to flee from her city when her younger brother made an attempt to usurp the throne, and she led her faithful followers on a fleet of ships across the Mediterranean Sea, until they reached the coast of Northern Africa, where they founded the city of Carthage. There is more to this story, and if you’re interested in such topics, please check out my original essay.

House Stark also has a connection with sailing west into the unknown beyond the Sunset Sea – after all, it was King Brandon the Shipwright who made the first recorded attempt to explore lands to the west of Westeros. He never returned and his son and heir Brandon the Burner famously put the entire northern fleet to torch out of grief. It is worth mentioning that in the real-world folklore, Saint Brendan the Navigator, a 6th century monk from Ireland, supposedly sailed across the Atlantic – and thus west from his homeland – and reached places like Iceland, Greenland, Northern America and various legendary islands inhabited by strange creatures and tribes.

The motif of the hero sailing away from the known world at the end of his arc features prominently in Arthurian legends – the final resting place of King Arthur himself is the Isle of Avalon, where the mortally wounded monarch is taken by ship.

Thanks to Tolkien, who gave his heroes Frodo and Bilbo “an Arthurian ending” sailing towards the Uttermost West will forever hold an important meaning in fantasy literature. In this essay, I’ll explain what it means in LOTR and more generally in Tolkien’s Legendarium. I’ll explore what the White Ship actually saved towards, why that place was so special, what was the ultimate fate of those who traveled there, and also list all major characters who made this voyage over thousands of years.

***

The Uttermost West: Valinor

The Uttermost West was another name of the continent of Aman, also known as the Undying Lands and the Blessed Realm, where the realm of Valinor was located. Calling Valinor “LOTR Heaven” would not be correct and actually quite misleading, but this land was the closest thing Arda – the planet where LOTR takes place – had to Heaven (understood as a place similar to Heaven of the Christian faith). Another analogue we could use would be to call it Earthly Paradise (the Divine Comedy one), though this comparison is also imperfect.

Eons before the events of the War of the Ring, Arda and the entire Universe was created by Eru Iluvatar, the God. The Ainur (Holy Ones) are basically Angels, “offspring of Iluvatar’s thought” and first sentient beings created by him. During the Music of the Ainur, choirs of the Holy Ones made a song that created a vision of Arda. This Vision of the World showed the Ainur how its history will unfold, its very nature and ultimate fate. They gained great wisdom and knowledge, but they were not fully omniscient, for that is the attribute of Iluvatar alone. After the Music faded, Iluvatar pronounced the word , which means Be! (as in Let it Be!). This turned the Vision into something real, and the Created World manifested itself within the Void.

According to Ainulindalë, which is the first part of The Silmarillion and recounts the creation of the world by Iluvatar, the Universe which came to be referred also by the word Eä, is a vast place of “wheeling fires” – stars, systems and galaxies surrounded by the Void. Within this Created World, Arda is the only place where the Children of Iluvatar – the races of Elves and Men – lived.

In those primeval times, some of the Ainur decided to enter the physical world instead of staying with Iluvatar in the Timeless Halls beyond the Deeps of Time. They would become bound to it until its final end, and serve as its guardians and shapers. The greatest of those Ainur were the Valar, the Powers of Arda. Those mighty angelic beings were later mistaken for gods by many peoples. There are fourteen Valar, seven Lords and seven Queens. However, there once were fifteen. The greatest of the Valar and all the Ainur was Melkor, but he fell and became Morgoth, the first Dark Lord. It was Morgoth who is the main antagonist of The Silmarillion. Sauron, the second Dark Lord after Morgoth’s defeat, was his chief lieutenant and most powerful servant in the First Age.

Sauron was initially one of the lesser Ainur, not counted among the Valar, who also entered the Created World and were supposed to provide help to the Powers of Arda. Those Ainur were known as the Maiar (Beautiful Ones). The most prominent Maiar are: Eönwë (banner-bearer and herald of Manwë, Melkor’s brother and King of the Valar), Ilmarë (handmaiden of Varda, Manwë’s wife and Queen of the Valar), Melian (mother of Luthien from the Lay of Beren and Luthien), Arien and Tilion (guardians of the Sun and the Moon, respectively), the fallen Maiar who served Morgoth such as the Balrogs, Mairon (who fell and became Sauron) and the Five Istari (Wizards) – Curumo (Saruman the White), Aiwendil (Radagast the Brown), Olorin (Gandalf the Grey) and the Blue Wizards Alatar and Pallando.

AinurValarMaiarByBluetiger.png

The Ainur and their Sub-groups, chart by Bluetiger

In the earlies millenia of Arda’s existence, Melkor made an attempt to claim it for his own, but the other Valar defied him during the First War. It was a cataclysmic era, for as the Valar tried to shape the world, the Dark Lord would constantly undo their progress – the lowered the mountain ranges they raised, he erected new mountains and hills in places where they intended valleys, he spilled the water from their seas and poured it in places where they wanted to have dry land. The initial design for Arda was forever lost and the perfect world the Valar tried to create would never come to be. In the end, Melkor was defeated and escaped beyond the Walls of Night, and Arda could finally enjoy some peace and tranquility.

In this time, the Valar made their dwellings at the very midpoint of the perfectly symmetrical world they made. This mindpoint was the beautiful and hallowed Isle of Almaren in the middle of the Great Lake in the center of Middle-earth, the central continent of Arda. To illuminate the world, the Valar built the Two Lamps, Illuin and Ormal, one in the northern part of Middle-earth and one in the south.

TheSpringOfArdaByBluetiger

Arda during the Years of the Lamps, chart by Bluetiger

The Spring of Arda came to an end when Melkor suddenly returned, taking the unsuspecting Valar by surprise. The Dark Lord’s hosts of fallen Maiar attacked both Lamps and brought them down. Their downfall was catastrophic, the lands were shaken and the primeval symmetry was gone. The layout and shape of all continents and seas was shaped. The Isle of Almaren was completely destroyed and the Valar withdrew to the western reaches of Arda – to the Uttermost West that would be associated with them henceforth. The Valar came to the continent of Aman, where they founded the realm of Valinor. It was separated from Middle-earth and other lands by the vast Sundering Seas of Belegaer (though in the far north, there was a land bridge made of ice, in the frozen wastes of Helcaraxë). The Valar also raised the mountain wall of Pelóri, Mountains of Defence, on the eastern shore, to shield their new lands from the Dark Lord’s incursions.

TheYearsOfTheTreesByBluetigerII

Arda during the Years of the Trees, chart by Bluetiger

Valinor was a hallowed land where the Deathless dwelt, and this made the entire realm free from sickness, withering, corruption or any stain. The Blessed Realm was the most beautiful place on Arda, almost incomparable to Middle-earth.

The most notable landmarks were: the Pastures of Yavanna (the Valië called the Giver of Fruit and Queen of Earth), the sprawling fields of golden wheat; Woods of Oromë the Huntsman, rich in all kinds of wildlife; the Halls of Nienna (the Lady of Pity and Mourning, whose student Gandalf once was) with windows looking outward the Walls of the World; the Halls of Mandos, where the Vala of the same name lived and where the souls of the dead were summoned (Elves to be re-embodied after some time, humans to prepare for their final journey out of the world, to face Iluvatar). The Halls of Mandos were ornamented with tapestries woven by Mandos’ wife Vairë, whose works chronicled the entire history of Arda.

In Valinor there were also the Gardens of Lorien, the fairest of all places, inhabited by Irmo, the Vala of dreams and visions, and his wife Estë, the healer of hurts and weariness. There were also the Mansions of Aulë, Smith of the Valar, filled with forges, furnaces and smithies. The place where the Lords and Queen of the Valar gathered when a council was convened was called Máhanaxar, Ring of Doom. Meanwhile, Varda (who had many names and epithets in Elven poetry, such as: Elentári Queen of Stars, Tintallë the Kindler, Elbereth the Star-queen and Gilthoniel the Star-kindler) and Manwë (Súlimo the Breather, Lord of Breath of Arda, High King of Arda, Elder King, Vice-regent of Eru Iluvatar) lived in the palace Ilmarin, atop the highest peak in all of Arda, Taniquetil, also named: the White Mountain, Amon Uilos, Oiolossë the Everwhite and Elerrína Crowned with Stars.

Only Ulmo – Lord of Waters, King of the Sea and Dweller in the Deep – chose to have to permanent abode and instead live in the oceans, the seas and the rivers of Arda. As The Silmarillion explains: “Ulmo speaks to those who dwell in Middle-earth with voices that are heard only as the music of water. For all seas, lakes, rivers, fountains and springs are in his government; so that the Elves say that the spirit of Ulmo runs in all the veins of the world”. This might be why creatures of evil such as the Nazgul are afraid of crossing water.

The remaining Valar are: Tulkas the Valiant, the mightiest warrior of Arda; his wife Nessa the Dancer; and Yavanna’s younger sister Vána.

The major city of Valinor was Valmar, the City of Many Bells. The greatest wonder of the Blessed Realm, the Two Trees of Valinor – silver Telperion and golden Laurelin – grew on the green mound of Ezellohar or Corollairë near its gates. Later, when the Elves settled in Valinor, their own cities were built: Tirion upon the Hill of Túna, capital of the Noldor; Feanor’s stronghold of Formenos in the north; and Alqualondë, the Swanhaven, on the eastern shore.

All in all, Valinor was the most beautiful, the most peaceful and the most hallowed place on Arda. Over the ages, numerous characters and sometimes entire peoples would journey towards it. Their motives, however, varied greatly. Some were invited by the Valar, some sought the Powers of Arda to plead for forgiveness or ask for help. Others had darker purposes in mind. In the following section I’ll explore the most important of them.

***

The Vanyar, the Noldor and the Teleri

The first beings invited to Valinor were the Elves. The Firstborn Children of Iluvatar first awoke in the eastern region of Middle-earth, on the shores of Lake Cuiviénen (which means Waters of Awakening), which was in reality a bay of the inland Sea of Helcar. Morgoth – I’ll use the Dark Lord’s later name to describe him, though in the era I’m about to discuss this would be an anachronism, as it was given to him as an insult by Feanor much later – learned about this sooner than the Valar and dispatched evil beasts and shadows to harass the Elves, and even capture some. According to some legends, orcs descends from those first Elves corrupted by the Dark Lord. Some time later, one of the Valar – Oromë the Huntsman, who would often hunt in the vast woods covering Middle-earth in this age – came across the Elves and shared the news with the others. Oromë also gave a name to this first race of the Children of Iluvatar – he called them the Eldar, People of the Stars, because when he found them, they were contemplating the night-sky and admiring the stars of Varda. The Elves initially called their own kind the Quendi, Those Who Speak With Voices, as they knew no other species which possessed this ability.

When the Valar learned that Morgoth was attacking the Elves, they gathered their host of faithful Maiar and besieged the Dark Lord’s fortress of Utumno in the northern region of Middle-earth (previously, this continent was all but abandoned by the Valar, who moved to Valinor and had no business in this part of the world). Little about this War for the Sake of Elves survived in Elven chronicles or legends, but they remember seeing bright flashing lights in the north and the glow of great fires. Morgoth was captured and taken to Valinor, where he was imprisoned, but the Valar believed Middle-earth to be still too dangerous to be the place where the Elven-kind would flourish. Thus, they invited them all to Valinor. The Elves were uncertain if they should accept, and three envoys were sent to Valinor to survey that realm. Their names were: Ingwë, Finwë and Elwë. All would become kings. The messengers witnessed the glory of the Undying Lands and returned to their fellow Elves, urging them to begin the Great Journey to Valinor.

Not all agreed to this, however, and the Elves became sundered for the first time. The one group were the Avari (Refusers), who wanted to stay in Middle-earth and never set off on the Great Journey. Their leaders were named Morwë and Nurwë.

The Elves who began the long westward voyage were the Eldar (this name originally referred to all Elves). They were divided into three tribes or kindreds.

The Vanyar (Light-elves, Fair-elves) had pale skin and golden hair, in battle their weapon of choice was spear and their king was Ingwë, who was also granted the title of the High King of the Elves. The Vanyar were the least numerous tribe and they arrived in Valinor first.

The Noldor (Deep-elves) had dark hair – though some of the sons of Feanor famously had copper hair of their mother Nerdanel, and Feanor’s mother Miriel had silver hair. Their skills in craftsmanship and smithing were unequalled, their weapon of choice was sword and their king was Finwë.

The Teleri (Lindar, the Singers) were the largest group, so they had two leaders, brothers Elwë (one of the three envoys) and Olwë. Their hair was either dark or silver, and they fought with bows. In contrast to the Vanyar and the Noldor, not all of the Teleri who set off on the Great Journey arrived in Valinor.

The first group to split were the Nandor (Those Who Go Back). They were disheartened upon seeking the towering peaks of the Misty Mountains and settled in the Vales of Anduin. The Silvan Elves of the Third Age, people of Mirkwood and Lorien, were their descendants. When the remaining Teleri crossed the Misty Mountains, then the Blue Mountains and entered the region of Middle-earth by the Bay of Balar, Beleriand – where the events of The Silmarillion unfold and which at the time of LOTR has been submerged under the sea for millennia – they discovered that the Vanyar and the Noldor arrived so long in advance that the Valar decided to bring them to Valinor first and then return for the Teleri.

MapOfArda

Arda in the First Age

For the purpose of transporting the Elves across the sea, the Vala Ulmo used a sizeable island originally located in the middle of the Great Sea, halfway from Middle-earth to the Blessed Realm and thus far away from any other land. That is why it was called Tol Eressëa, the Lonely Island. Ulmo used this isle as a ferry, pushing it back and forth between Aman and Beleriand. Awaiting this ferry, the Elves set up camps in Beleriand, with the Vanyar and the Noldor arriving first and the Teleri lingering behind.

It was in the woodlands of Beleriand that the Telerin king and one of co-leaders, Elwë, would meet Melian the Maia while wandering alone in the forest of Nan Elmoth. They fell in love and stood there entranced for many years, looking into one another’s eyes as if under some spell or enchantment. The Teleri searched for their lost lord, but when this seemed to be in vain, Ulmo refused to wait for longer and ferried the Vanyar and the Noldor to Valinor. Elwë’s brother Olwë continued the search, but when Ulmo returned with Tol Eressëa many years later, he agreed to abandon the futile quest and bring his people to Valinor.

However, some refused to forsake their king and thus the Teleri were once again divided, into those who sailed west and those who stayed in Beleriand. Another group which made camp on the shores of the Great Sea became enamoured with it and befriended the Maia of the Inner Seas and one of Ulmo’s subjects, Ossë. When those Elves were supposed to sail west, Ossë persuaded them to stay and they became the Falathrim, Elves of the Coastland of Falas in Middle-earth. Their lord was Nowë, who became known as Círdan, the Shipwright. He would play a crucial role in providing vessels for future voyages to Valinor.

When Elwë re-appeared before his people many years later, they welcomed him as their king and his wife Melian and their queen. Elwë and Melian founded the Kingdom of Doriath in Beleriand, and soon Elwë became the High King of the Sindar – the Grey Elves, as his followers came to be known. Meanwhile, the Teleri who sailed to Valinor lived for some time on the Isle of Tol Eressëa, now placed by Ulmo close to the shores of the Undying Lands, in the Bay of Eldamar. Some time later the Teleri of Aman, now referred to as the Falmari, Folk of the Waves, moved to Valinor proper and built their port city of Alqualondë, the Swanhaven.

QuendiByBluetigerVersion2

Thus, the first to sail westward from Middle-earth, to Valinor, were the three kindreds of the Eldar – the Vanyar, the Noldor and the Teleri (though not all). They were invited there by the Valar, who believed Middle-earth to be too perilous for this newly awakened race of the Children of Iluvatar. The Undying Lands were supposed to be the place where their kind would flourish in peace, and for some time, they did just that. But it would not last.

***

Flight of the Noldor

To explore the later attempts of crossing the Great Sea – Belgaer – and reaching Valinor I have to briefly summarise some of the incredibly complex events of The Silmarillion. Obviously, much and more will go unmentioned.

The Teleri finally settled in Aman in the Valian Year 4661. Unfortunately, at different stages of his work on the Legendarium, J.R.R. Tolkien used different figures for how many solar years are there in one Valian Year. In the early texts, one Valian Year amounted to around 10 solar years, which was changed to around 9,58 solar year. Later, he wanted to rewrite the entire First Age chronology, using the 1 Valian Year = 144 solar years figure.

We know that the First War with Morgoth ended in V.Y. 1500, that the Two Trees of Valinor were created in V.Y. 3500 and that the first Elves awoke in V.Y. 4550. The Great Journey of the Eldar commenced in 4605, the Vanyar and the Noldor were ferried to Valinor in 4632 and the Teleri were taken there in 4651. The Valar started working on the Sun and the Moon in V.Y. 4997, and the Moon first rose in 5000, and this event marked the end of the Years of the Trees and the beginning of the Years of the Sun.

Then there were 590 solar years of the First Age, 3441 solar years of the Second Age, 3021 solar years of the Third Age and at least 220 solar years of the Fourth Age. Thus, Tolkien’s works are set over a period of at least 7272 solar years and 5000 Valian Years (as long as 47 910 solar years using the 9,582 years figure, 720 000 years using the 144 solar years number).

The Eldar lived in Valinor in peace for centuries (363 Valian Years, so either around 3478 solar years or over 52 272 solar years). In this time their kind flourished, and many great feats of science, linguistics, craft and art were accomplished. For example, a Noldorin Loremaster named Rúmil from the city of Trion invented the first Elvish alphabet, the Sarati. This sage also penned invaluable historical documents, such as the in-universe Ainulindalë (the first part of The Silmarillion), the geographical work known as Ambarkanta: The Shape of the World, various linguistic texts on the Elvish languages and the Annals of Aman, a chronological list of all major events from the creation of the world. Later, Fëanor created his own writing system which gained great popularity and was used in all four ages, the Tengwar. However, his most notable creation were the three jewels containing the light of the Two Trees of Valinor, known as the Silmarils.

This peaceful era would come to an end in 4995, when Morgoth found a way to treacherously assault Valinor, destroy the Two Trees and steal the Silmarils. King of the Noldor, Finwë, was also killed by him. When his son Feanor found out about this, he was overcome with rage and, gathering his seven sons in the city of Tirion, made the solemn and dreadful Oath of Fëanor – that they would not rest until the Silmarils are recovered, and woe to any of the Valar, the Maiar, the Eldar, Men or Morgoth’s creatures who would try to stand in their way.

Feanor also gave a fiery speech, rebelling against the Valar who forbade the Noldor to leave the Blessed Realm and chace after the Dark Lord. He blamed the Valar alongside Morgoth for what had happened, and asked why the Noldor should serve those who were unable to defend even their own land. Feanor urged his followers to return to the vast lands of Middle-earth – which were, according to him, denied to them by the Valar, who would rather keep the Elves in their golden cage. The Noldor, the most valiant of all peoples of Arda, should instead come back to the continent of their awakening and carve out kingdoms for themselves. Upon hearing those words, similar desires awoke in the hearts of many, and one of those was Galadriel, the daughter of Feanor’s half-brother Finarfin.

Feanor’s host then marched towards the coastal city of the Teleri, Alqualondë. There they demanded to be given the famed swan-ships, as they had no fleet of their own and a great number of vessels was necessary to transport the Noldor to Middle-earth. The Teleri refused to do so, as that was against the will of the Valar. Furious upon this denial, the Noldor sacked Alqualondë, massacred its people and took their ships by force. In consequence, the Valar cursed the Noldor and banned them from ever returning to the Undying Lands. Mandos, the Doomsman of the Valar, made the following prophecy:

“Tears unnumbered ye shall shed; and the Valar will fence Valinor against you, and shut you out, so that not even the echo of your lamentation shall pass over the mountains. On the House of Fëanor the wrath of the Valar lieth from the West unto the uttermost East, and upon all that will follow them it shall be laid also. Their Oath shall drive them, and yet betray them, and ever snatch away the very treasures that they have sworn to pursue. To evil end shall all things turn that they begin well; and by treason of kin unto kin, and the fear of treason, shall this come to pass. The Dispossessed shall they be for ever”. (from The Silmarillion by J.R.R. Tolkien)

When Feanor’s followers landed in Beleriand, the westernmost region of Middle-earth, he had all the stolen Teleri swan-ships put to torch (in ASOIAF, both Nymeria’s and Brandon the Burner’s ship-burnings might be references to this event). For over 500 years, the Noldor and their allies (human tribes known as the Edain, and the Grey Elves) battled Morgoth in Beleriand.

In the end, all those efforts were in vain. Feanor was slain in the early battle of Dagor-nuin-Giliath (Battle-under-Stars). The Noldor defeated Morgoth’s forces in the third great battle of Beleriand, Dagor Aglareb (the Glorious Battle), which led to the Siege of Angband, the Dark Lord’s stronghold in the north. The siege was broken after about 400 years and two catastrophic battles followed – Dagor Bragollach (Battle of Sudden Flame), during which Morgoth dueled and killed Fingolfin, the High King of the Noldor; and Nirnaeth Arnoediad (Battle of Unnumbered Tears), in which fell Fingolfin’s son Fingon, the second High King of the Noldor in Middle-earth. Kingdoms of Beleriand – Nargothrond, Doriath, Gondolin and others – fell one by one.

***

Voronwë and Turgon’s Emissaries

At one point, when the situation of the Noldor was plainly dire, King Turgon of Gondolin commissioned Cirdan the Shipwright to construct a number of ships, which were then used to sail westward and attempt to reach Aman, where the emissaries would plead with the Valar for forgiveness and help. All those ships were lost at sea, however, as Valinor was now defended by mists, shadow covering the sea and a treacherous archipelago of uncharted the Enchanted Isles. Only one of Turgon’s mariners would wash on shore of Beleriand many years later.

His name was Voronwë, and he was saved by the grace of Ulmo, who gave him the mission to guide a human warrior named Tuor to the Hidden City of Gondolin, where he was supposed to warn King Turgon against the danger that would soon come to his realm (foreshadowing Morgoth’s invasion and sack of the city). Turgon would not listen to this prophecy and instead of abandoning his marvellous Gondolin, chose to make it even more isolated and heavily guarded.

***

Tuor and Idril

Tuor remained in Gondolin, where he fell in love and later married Turgon’s daughter Idril Celebrindal. Their son Eärendil was the second child born from an union of the Eldar and the Edain. The family managed to escape from the Sack of Gondolin in First Age year 510. Tuor and Idril fled to the coastal Havens of Sirion, which at that time were the only place in Beleriand not overrun by Morgoth’s legions.

In 525 Tuor felt strange sea-longing and having constructed a ship named Eärrámë (Sea-wing) sailed west with Idril. No news concerning their fate ever reached Middle-earth, but according to legend told among the Elves and Men, by the grace of Ulmo or perhaps Iluvatar himself, Tuor and Idril were allowed to bypass all the dangers of the Great Sea and arrive in Valinor, where Tuor was granted immortality as the only human ever, and would be henceforth counted among the Eldar. How much of that story is true, no one can tell.

***

Elwing and Eärendil

Beleriand, as I have already mention, was almost fully conquered by Morgoth. Some Elves managed to flee to the Isle of Balar in the of the same name (according to some traditions, this isle was in fact a chunk of Tol Eressëa which was once anchored in this place when Ulmo used it as a ferry for the Eldar. Among them were Círdan the Shipwright and young Ereinion Gil-galad, the new High King of the Noldor following King Turgon’s death during the Fall of Gondolin.

Another group of refugees settled in the coastal land of Arvernien, in the Havens of Sirion. Their leaders were Tuor and Idril’s son Eärendil and his wife Elwing, daughter of the Half-elven Dior, son of the famous Beren and Luthien. With the aid of Círdan, Eärendil built a magnificent ship called Vingilótë, the Foam-flower, the fairest vessel to ever sail the seas.

The surviving Sons of Feanor wished to fulfill their Oath and claim one of the Silmarils, which has been recovered from Morgoth’s crown by Beren and Luthien and passed to their grand-daughter Elwing. For this reason they sacked the Havens of Sirion, slew its inhabitants and tried to seize Elwing, but she instead jumped into the sea. She was saved by Ulmo and transformed into a giant white bird, and in this guise she reached her husband’s ship far in the ocean.

Earendil and Elwing thought their twin sons Elrond and Elros were slain, while in reality they were saved by Maedhros, one of Feanor’s sons, who took pity on the children and raised them as his own sons. Thus, believing they have nothing to lose, they chose to break the ban of the Valar and sail west to Valinor, and there beg the Valar to forgive the Elves and provide aid to the Eldar and the Edain of Beleriand, now doomed to be subjugated by Morgoth. Thanks to the power of the Silmaril, Vingilótë was able to avoid all the obstacles and reach the shores of the Undying Lands. The Valar have foreseen this and dispatched their herald Eönwë to greet Earendil:

‘Hail Eärendil, of mariners most renowned, the looked for that cometh at unawares, the longed for that cometh beyond hope! Hail Eärendil, bearer of light before the Sun and Moon! Splendour of the Children of Earth, star in the darkness, jewel in the sunset, radiant in the morning!’. (from The Silmarillion by J.R.R. Tolkien)

The Valar decided Earendil and Elwing should not be punished for coming to Valinor, as they came not for their own sake, but for the sake of all Men and Elves. They were allowed to settle in the Blessed Realm, and Earendil became the steersman of Vingilótë, now hallowed and transformed into a star known to us as Venus. To read more about Venus-related symbolism in Tolkien’s works please check out my essay Eärendil, Bearer of Light – a Tolkienic Song of Ice and Fire essay by Bluetiger; The Advent Calendar 2018, Week Two. The Valar also sent a great host of the Vanyar and the Maiar to Beleriand, on a fleet built by the Teleri of Alqualondë. During this War of Wrath Morgoth was defeated, though Beleriand was shattered and sunk beneath the sea as a result of the struggles between so powerful beings. The first Dark Lord was defeated and cast beyond the Walls of Night, but at a great cost. Also, his second-in-command Sauron was able to escape to the east with many of Morgoth’s former followers.

world_map_

World map by OffensiveArtist, Wikimedia Commons (Creative Commons Attribution-Share Alike 4.0 International)

***

The Elves after the War of Wrath

The Valar allowed the Noldor to return to Valinor, and once again invited those Elves who never voyaged there to come. Many chose to do so and left Middle-earth forever. Others, chiefly the Noldor and the Sindar, desired to stay on that continent. As Beleriand was sinking into the Great Sea, and all its realms were destroyed anyway, many would migrate west, into the lands known from The Lord of Rings.

A group of the Sindar (Grey Elves) arrived in Greenwood the Great (later called Mirkwood), where they mingled with Silvan Elves of Nandorin descent. One of those Sindar, Oropher, became the King of the Woodland Realm. Thranduil, the Elven-king from The Hobbit, was his son, and Legolas his grandson. Another Grey Elf, Amdír Malgalad, came to Lorien and became its king, as the Silvan Elves living there had no ruler or prince of their own. Ereinion Gil-galad, the High King of the Noldor, also stayed in Middle-earth and established the Kingdom of Lindon (to the west of the Shire). He was accompanied by Elrond, Feanor’s grandson Celebrimbor, Círdan the Shipwright, Galadriel and her husband Celeborn.

***

The Grey Havens in the Second Age

The Second Age was, unfortunately, not peaceful, as Sauron would slowly but steadily grow his power in Mordor, and threaten the Elves and Men of Middle-earth. The Elves were growing weary in the mortal lands, their kind was dwindling and fading away and the Dominion of Men, the time where Middle-earth would belong to humans entirely, was nearing. Círdan the Shipwright established the Grey Havens in Lindon, where ships would be waiting for the Elves willing to leave for Valinor. During the Second Age, many Elves chose to do so – some Noldorin, some Sindarin, but also numerous Silvan Elves, finishing their Great Journey at last. Ships were sailing westward from Lindon especially in times when Sauron’s power would grow, during the Dark Days before the Last Alliance of Men and Elves defeated the second Dark Lord, though not for good.

***

Ar-Pharazôn and the Numenoreans

We’ll return to the Elves and their voyages a bit later, but first we have to discuss another group that would make an attempt to travel to the Undying Lands in the Second Age – the Numenoreans. The Numenoreans were an advanced civilization descended from the Edain of the First Age, humans who sided with the Elves against Morgoth and were rewarded by the Valar after the War of Wrath.

They received the isle of Elenna-nórë (Starwards-land), shortened to Elenna (Starwards), also called Andor (Land of the Gift), Westernesse (Númenórë in Quenya, and Anadûnê in Adûnaic, the language of the Numenoreans). It was raised from the depths of the Great Sea by the Valar and placed in the Great Sea, but closer to Valinor than to Middle-earth. The Numenoreans, or Dúnedain, were blessed with longevity (they had lifespans of at least 300 years), and their first king was Elrond Half-elven’s twin brother Elros.

In their early days, they were the greatest friends the Elves had among mankind, and they had great respect and reverence to the Valar. However, even the mightiest of mortals were not allowed to set foot in the Undying Lands. The Numenoreans never truly understand why it was so, but they abode by the Ban of the Valar, that no ship from their isle may sail further west than to the point where it would no longer see the Numenorean coast. The Valar dispatched envoys to Numenor who attempted to explain why the Ban was necessary:

‘The Doom of the World,’ they said, ‘One alone can change who made it. And were you so to voyage that escaping all deceits and snares you came indeed to Aman, the Blessed Realm, little would it profit you. For it is not the land of Manwë that makes its people deathless, but the Deathless that dwell therein have hallowed the land; and there you would but wither and grow weary the sooner, as moths in a light too strong and steadfast.’ (from The Silmarillion by J.R.R. Tolkien)

Thus, staying in the Undying Lands will not make a mortal live forever, which we should keep in mind when we’ll discuss what happened to mortals, such as Frodo, Bilbo and Sam, who would sail to Valinor thousands of years later.

The early kings of Numenor respected the wishes of the Valar, but beginning with Tar-Atanamir the Great, they would grow more and more displeased with them. In the end, the last king of Numenor, Ar-Pharazon the Golden, was manipulated by Sauron into believing that conquering the Blessed Realm would make him and his people immortal.

For this purpose, he assembled the largest armada ever seen, loaded the ships with knights, soldiers and weapons of war, and sailed west, breaking the Ban. The situation was so dire that even the Valar did not know what to do and for the first time ever, gave up governance of Arda and asked Iluvatar to intervene. And He did.

The Numenorean fleet was crashed, Ar-Pharazon and his mortal soldiers who landed in Valinor were buried under hills that collapsed on them. A great rift opened in the sea-floor and Numenor sank beneath the waves. Only Elendil and his followers, who remained faithful to the Valar and Iluvatar were spared and fled to Middle-earth on their ships. There they founded the Dunedain realms of Arnor and Gondor.

***

Amandil

Elendil himself was the son of Amandil, a Numenorean noble and 18th Lord of Andúnië – this line descended from Silmariën, daughter of one of the early Numenorean monarchs and thus was a cadet branch of the Royal House of Elros. To learn more about this topic and its possible significance to ASOIAF please check out my essay The Return of the Queen – a Tolkienic Song of Ice and Fire essay by Bluetiger The Advent Calendar 2018, Week One.

Amandil was once King Ar-Pharazon’s close friend and principal advisor with a seat on the Royal Council. However, when Sauron, though brought to Numenor as a captive (allowing Ar-Pharazon to take him prisoner on a campaign in Middle-earth was a ploy), rose to great prominence by manipulating the king and his court, Amandil was dismissed from court and withdrew to his port city, where he and his son Elendil oversaw the construction of ships later used to abandon the dying isle.

It seems Lord Amandil initially wanted to sail to Middle-earth with his son Elendil and grandsons Isildur and Anarion, where many members of their party known as the Faithful or the Elf-friends have already moved. But when he somehow found out that the purpose for which Ar-Pharazon and Sauron, now his chief advisor, were gathering ships and troops was to assault Valinor, Amandil was horrified.

Instead of sailing east to Middle-earth, he would sail west towards the Undying Lands, to warn the Valar and plead for them to forgive Numenoreans and not punish them for their king’s folly. Amandil set off with one ship and three trusted companions, but his fate remains unknown. The last Lord of Andúnië wanted to to the same thing his ancestors Earendil and Elwing had done – break the Ban of the Valar, but for a higher purpose. As he said himself: “as for the Ban, I will suffer in myself the penalty, lest all my people should become guilty”. However, his sacrifice was in vain – “Men could not a second time be saved by any such embassy, and for the treason of Númenor there was no easy absolving”.

***

The Straight Road

To make any other invasion of Valinor impossible, following the Downfall of Numenor, the Undying Lands were removed from “The Circles of the World” and it was no longer possible to reach them by simply sailing west from Middle-earth. Arda was now made round (though it being originally flat might be an Elvish legend, and in some versions of Tolkien’s myths the planet was round since the beginning), and new continents appeared in the west. If some bold sailor made an attempt to sail west, he would simply reach those new lands, and if he continued ever westward, he would end up in the same place where he began his voyage.

But even in those later ages, though Valinor was now removed from Arda, the Elves could sail there. The Eldar were still able to depart from places such as Cirdan’s Grey Havens and sail west, via the Straight Road – an invisible “bridge” still connecting the Hither Lands with the Undying Lands. This Straight Road ultimately reached the harbour of Avallónë on the isle Tol Eressëa in the Bay of Eldamar in Valinor, the Ancient and True West.

StraightRoadJRRT

The Straight Road, chart by Bluetiger

What exactly the Straight Road was we sadly do not know, but The Akallabêth part of The Silmarillion, citing Dunedain sages, describes it as “a mighty bridge invisible that passed through the air of breath and of flight (…), and traversed Ilmen which flesh unaided cannot endure, until it came to Tol Eressëa, the Lonely Isle, and maybe even beyond, to Valinor, where the Valar still dwell and watch the unfolding of the story of the world”.

ArdaByBluetigerII

Arda and the Airs according to Numenorean tradition, chart by Bluetiger

In later times, stories and legends would be told among humans, especially those living by the coast and mariners, about lost sailors, who by some chance, fate or grace of the Valar entered upon the Straight Road and saw “the face of the world sink beneath them” (which might be a reference to traveling into outer space, just like the “Ilmen which flesh unaided cannot endure” sentence – Ilmen was the name of the region of the Firmament where the stars were located). “And so had come to the lamplit quays of Avallónë, or verily to the last beaches on the margin of Aman, and there had looked upon the White Mountain, dreadful and beautiful, before they died”. Thus ends The Akallabêth, a tragic story of Numenor’s rise and downfall.

***

The Lost Road & The Notion Club Papers:

Éadwine & Ælfwine, Edwin Lowdham & Alwin Arundel Lowdham

In Tolkien’s The Lost Road, which belongs to a version of his tales in which the events of The Silmarillion, LOTR and all other stories took place in our Earth’s distant past, it was revealed that throughout history, for some mysterious reason there would appear pairs of father and son, descended from the Numenoreans and from Elendil himself, where the father would have a name with a meaning similar to Amandil, and the son with a name referencing Elendil, Elf-friend.

In the Anglo-Saxon England there was Éadwine, a sailor who captained the ship Éarendel. Both the mariner and his vessel disappeared in the Atlantic in Anno Domini 878. Éadwine was the first man in millenia to find the Straight Road, repeating Amandil’s journey – it is implied he never actually reached Aman, as Amandil seemingly was lost at sea before the arrived there.

His son Ælfwine also felt strong sea-longing, like all descendants of Elendil, and also sailed westward from Britain, then passed Ireland and voyaged into the open ocean. His ship entered the Straight Road and Ælfwine washed on the shore of Tol Eressëa. He befriended the Elves living there, learned their language and became a student of the great loremaster Pengolodh, chronicler of the First Age. This historian told him about the earliest days of Arda, described in the Ainulindalë, and showed him his own writings on Elvish linguistics, the Quenta Silmarillion (Tale of the Silmarils), Narn i Chîn Húrin (Tale of the Children of Hurin), the Annals of Beleriand and Rumil’s the Annals of Aman.

Ælfwine translated all those extensive works into Old English, and then returned to his homeland. In this way the history of the First, Second and Third Age was not lost to mankind.

Tolkien’s abandoned novel The Notion Club Papers describes how those father-son pairs appear even to our present day. Its protagonist, the English language lecturer at Oxford, Alwin Arundel Lowdham, plays the archetypal role of Elendil, and his father Edwin Lowdham (who was lost at sea many years prior) is the present-day Amandil.

There are many versions of Tolkien’s tales, from different stages of his Legendarium’s development. We don’t know what the ultimate continuity would be – if there would be references to Arda being our Earth and LOTR and The Silmarillion being our world’s distant past. Perhaps all those references to the Red Book of Westmarch (which contained the in-universe The Hobbit by Bilbo Baggins, and Frodo’s The Downfall of the Lord of the Rings and the Return of the King) and Bilbo’s The Translations from the Elvish were supposed to be among the texts presented to Ælfwine by the Elves of the Lonely Island, and he would translate them into Old English. Then they would be preserved in some library or monastery, until found and translated by J.R.R. Tolkien. This version of events sounds likely, but we can not be sure if Tolkien, had he made all planned revisions to his works, would retain the Ælfwine plotline and make his voyage the framing story of all his legends.

***

The Straight Road as described in Tolkien’s Letters

As to the Straight Road, there exists a letter, published in The Letters of J.R.R. Tolkien, where the author goes into some detail about it. He mentions that the “immortals” (the Elves) who wished to sail west (after the Downfall of Numenor, when Valinor was removed from Arda), would have to use specially made and hallowed ships. They would set sail only after sunset and steer their vessels West, towards the place where the Undying Lands once were located.

If one were to observe such a ship form the shore, he would realise that it never became hull-down and dwindled only because of distance, and then it would vanish in the twilight. (It sounds that for an onshore watcher, the ship would appear to “sail” due West in the air). The ship followed the Straight Road to the Ancient West instead of, like a normal vessel would, following the “bent road” – the curvature of Earth’s surface. The moment the ship vanished, it left the physical world and there would be no returning. Tolkien goes on to say that the Elves and the few mortals who were allowed to enter upon the Straight Road abandoned the “History of the world” and could not play any further part in it.

***

Celebrimbor, Annatar and the Rings of Power

Following the War of Wrath, the Noldor were allowed to return to Valinor, and all other Elves, even those whose ancestors never arrived there on the Great Journey, were encouraged to also come there, as their time in Middle-earth was coming to an end and the Dominion of Men was nearing. However, some refused the call. Some of the Noldor still wanted to make Feanor’s dream of the Noldor flourishing in the vastness of Middle-earth a reality. Many of the Grey and Silvan Elves also still desired to stay.

While the major Noldorin kingdom of the Second Age was Lindon, governed by Ereinion Gil-galad, the fourth High King of the Noldor in Middle-earth, a group of Elven craftsmen from this kindred moved the land of Eregion where they founded a separate realm. Hollin (Land of Holly), as it was also called, was located west of the Misty Mountains, close to the Walls of Moria. Its capital was the city of Ost-in-Edhil, founded by Galadriel. When she and her husband Celeborn moved to Lorien, on the eastern side of the Misty Mountains, Feanor’s grandson Celebrimbor became its Lord. (In one version, Celebrimbor seized power and Galadriel had to flee).

Celebrimbor was the greatest craftsman and smith since the days of Feanor. His people worked closely with their allies and friends, the Dwarves of Durin’s Folk from the nearby Khazad-dûm. Celebrimbor and his fellow Noldorin smiths established the famed brotherhood of Gwaith-i-Mírdain, the People of the Jewel-smiths. This guild excelled in working with mithril, but their greatest creations were the Ring of Power.

The Noldor, as I have mentioned, still wanted to remain in Middle-earth, yet they also knew that the Elven-kind was fading, growing weary with the mortal lands and the Dominion of Men was nigh. They would not accept this and stand idly waiting for it to happen, or leave for the Ancient West.

It was at that time that a mysterious being arrived. He introduced himself as Annatar (which means “Lord of Gifts”), and presented himself as an envoy of the Valar. This Annatar offered his assistance in making Middle-earth as beautiful as Valinor, in turning it into another Undying Lands. Cirdan the Shipwright and High King Gil-galad were sceptical of those claims and would not let this stranger within their borders. Galadriel also mistrusted of this supposed emissary.

The craftsmen of Gwaith-i-Mírdain, under Celebrimbor, readily welcomed him. Annatar shared with them many secrets and great knowledge. The Jewel-smiths collaborated with him for centuries, and once he had their full trust, Annatar provided them with instructions as to how create the Rings of Power. There were multiple Lesser Rings of Power, which – although powerful enough to be extremely dangerous to mortals – were but trifles to the Noldor master smiths. The true power rested in the nineteen Great Rings. Sixteen, seven of which were later given to the Dwarves and nine to great human kings, sorcerers and warriors, were forged directly under Annatar’s influence. Three, the Elven Rings, were created by Celebrimbor alone.

The purpose of the Rings of Power was to slow or postpone indefinitely the fading of the Elves. As J.R.R. Tolkien explained in one of his letters:

The chief power (of all the rings alike) was the prevention or slowing of decay (i.e. ‘change’ viewed as a regrettable thing), the preservation of what is desired or loved, or its semblance — this is more or less an Elvish motive. But also they enhanced the natural powers of a possessor — thus approaching ‘magic’, a motive easily corruptible into evil, a lust for domination. [Letter 131]

And in The Silmarillion it is written that:

Now these were the Three that had last been made, and they possessed the greatest powers. Narya, Nenya, and Vilya, they were named, the Rings of Fire, and of Water, and of Air, set with ruby and adamant and sapphire; and of all the Elven-rings Sauron most desired to possess them, for those who had them in their keeping could ward off the decays of time and postpone the weariness of the world. (from The Silmarillion by J.R.R. Tolkien)

Tolkien also wrote that the Noldor who lingered in Middle-earth into the Second Age “were enamoured of Middle-earth and yet desired the unchanging beauty of the Land of the Valar. Hence the making of the Rings; for the Three Rings were precisely endowed with the power of preservation, not of birth” [Letter 144].

And elsewhere, that in LOTR:

“The Elves are not wholly good or in the right. Not so much because they had flirted with Sauron, as because with or without his influence they were ’embalmers’. (…) They wanted to have their cake and eat it: to live in the mortal historical Middle-earth because they had become fond of it (or because they there had the advantages of superior caste), and so tried to stop its change and history, stop its growth… and they were overburdened with sadness and nostalgic regret”

This is what the Noldor of the Gwaith-i-Mírdain guild desired, the purpose for which they desired all that secret knowledge Annatar was providing. Celebrimbor created the Three Rings of the Elves: Narya, the Ring of Fire set with a ruby; Nenya, the Ring of Water, made of mithril and embedded with a stone of adamant; and Vilya – the greatest of the Three Rings – Vilya, the Ring of Air, made of gold and set with a sapphire stone. Overall, the Noldor made nineteen Rings of Power.

But Annatar forged another in the land of Mordor: the One Ring able to control all the rest, to dominate the wills of those who wore the other Rings and to reveal to its Lord all deeds ever done with the power of the rest. But at that moment, as Sauron – for he was the one calling himself Annatar – pronounced the words of the One Ring’s spell (the Ring-verse: One Ring to rule them all etc.), in Eregion, far from Mount Doom in Mordor, the Jewel-smiths heard his voice in their heads and realised they were betrayed. They took off their rings and refused to wear them as long as Annatar, now revealed to be Morgoth’s servant Sauron, possessed the One Ring.

Furious that his true intentions were now known, Sauron assembled his hosts and marched across Middle-earth. Eregion was sacked and all artifacts stored in the vaults of the guildhall of the Gwaith-i-Mírdain fell into the Dark Lord’s hands. Sauron took the sixteen rings, and later gave nine to mortal men, and seven to the Dwarves (though among Durin’s Folk of Khazad-dûm there existed a tradition that King Durin III received his ring before the Sack from Celebrimbor himself).

Celebrimbor was captured and tortured into revealing the location of the sixteen, but would not tell Sauron where the Three were hidden. When Feanor’s grandson expired, Sauron took his body and had it put on a pike, and then marched before his advancing armies as a banner. Sauron was unable to conquer the final remaining Noldor holdings in Middle-earth – Lindon and Imladris (Rivendell), the hidden refugee founded by Elrond who led some survivors away from the Sack of Ost-in-Edhil. Both were besieged, but at that time the Elves still had powerful allies – the Numenoreans. Tar-Minastir, the 11th monarch of that mighty realm, sent a grand armada under Admiral Ciryatur. In those days the Numenoreans were so powerful that even Sauron and all his legions were defeated. The Dark Lord’s army was completely routed and he hardly managed to fall back to Mordor with only a tiny personal guard left.

After some time, when the Numenorean army returned home, and the Numenorean kings who followed Tar-Minastir were less friendly towards the Elves, Sauron slowly regained his strength and the Dark Years began – it was a time when orcs from Mordor roamed freely across Middle-earth, many human tribes were forced to hide in the deep woods or in the mountains, other tribes of men worshipped Sauron as god and only Lindon, Rivendell, Lorien and Khazad-dûm remained truly free. For the Elves these were the “Days of Flight”, when great many ships sailed west from Cirdan’s havens in Lindon, never to return.

When Sauron’s long-term scheme to destroy Numenor worked, he attacked the Free Peoples of Middle-earth once again. However, although the might of Numenor was now gone, there was heavy resistance in the form of the Last Alliance of Men and Elves. Thanks to the sacrifice of High King of the Noldor Gil-galad and High King of the Dunedain Elendil, Sauron was defeated, though once again not forever. Yet the One Ring was lost (few knew it was taken by Elendil’s son Isildur and later lost in the Gladden River when Isildur’s party of knights was ambushed by a remnant of Sauron’s shattered army hiding in the mountains).

The Elves thought it was safe to use the Three Rings once again, and they did. When Celebrimbor learned of Annatar-Sauron’s true intentions, he gave the Three to three powerful Elves for safekeeping, Vilya, the greatest of the Rings, he gave to Gil-galad, but the High King believed it would be safer with his Vice-regent and Herald, Elrond of Imladris. Nenya, the Ring of Water, was given to Galadriel, who used it to make Lorien the most fair place in Middle-earth. There are two accounts of what Celebrimbor did with Narya, the Ring of Fire, but in both scenarios the ring ended up with Cirdan the Shipwright. (In one, it was first given to Gil-galad together with Vilya, but the High King granted it to Cirdan, in the other Cirdan received it directly from Celebrimbor). In this way, the Rings were saved from Sauron and in the Third Age thanks to them Elven realms like Rivendell and Lorien still flourished.

When emissaries from the Valar known as the Istari (Wizards) arrived from Valinor in the Third Age, Cirdan was perhaps the only person to witness that and know whom the Wizards truly were – five of the Maiar entrusted with a special task. Although it seems the Wizards arrived separately, with Gandalf coming only after Saruman and the Blue Wizards, Círdan gave Narya, the Ring of Fire, to him, perhaps sensing that Gandalf was the wisest and most trustworthy of them all.

When he first met Gandalf, he greeted him with the following words:

“Take this ring, Master, for your labours will be heavy; but it will support you in the weariness that you have taken upon yourself. For this is the Ring of Fire, and with it you may rekindle hearts in a world that grows chill. But as for me, my heart is with the Sea, and I will dwell by the grey shores until the last ship sails. I will await you.” (from The Silmarillion by J.R.R. Tolkien)

***

Círdan the Shipwright

Cirdan was the eldest of all the Elves remaining in Middle-earth. He was once named Nowë, and the original kings of the Teleri, Elwë and Olwë, were related to him. He took part in the Great Journey, and though he had a strong desire to sail across the Great Sea and reach Valinor, he stayed behind with a group of Elves who refused to leave their lost king Elwë.

Even when the king’s own brother Olwë concluded that there is no hope of finding him, Cirdan wanted to continue the search. When he finally came to the shore of the Great Sea, he saw only the isle of Tol Eressëa sailing west and disappearing in the distance. Cirdan stood alone on the beach and, overcome with grief, cried that he would sail to Valinor alone, on the crude first ship he built.

But in that moment he had a vision from the Valar – a voice told him that his ship would not survive the journey, and only many years later his skills in shipcraft boatbuilding would enable him to make such a vessel. The Valar gave him another mission – “Abide now that time, for when it comes then will your work be of utmost worth, and it will be remembered in song for many ages after”. Cirdan answered with simple “I obey”, and then saw a ship that sailed west through the air. That was most likely a vision of Earendil’s ship Vingilótë, in the building of which he would play a part many years later.

Cirdan remained faithful to his mission for millenia beyond count. Though he desired to see the light of Valinor, he stayed on the shores of Middle-earth and would provide ships for those willing to cross. Only when the days of the Eldar would be over, he would sail west on the last white ship, and his Great Journey would be concluded at last.

At the time of LOTR, Cirdan was the oldest Elf in Middle-earth. He lived through the Years of the Sun in the First Age, the Second Age and the Third Age. 7052 solar years… but Cirdan was born (it is also possible that he was among the first Elves who awoke on the shores of Lake Cuivienen) long before the Sun and the Moon were created. The first Elves awoke in the Valian Year 4550, and Cirdan had his vision the same year the Teleri were ferried to Valinor, 4651. Thus, we know for sure Cirdan lived through at least 349 Valian Years (around 3344 solar years using the 9,582 solar years figure for a Valian Year, 50 256 years using the 144 solar years number). At the very least, Cirdan was 10 396 solar years old at the time of LOTR. If he was among the original Elves awakened in 4550, he would be either 11 363 or 71 852 solar years old.

Whatever calculation we use, he was very old. In fact, his age was so advanced that he had a beard, which was uncommon among the Elves, but was possible in their third cycle of life, among those who still remained in the mortal lands of Middle-earth. The Elven-kind was fading – some refused to accept this, created Rings of Power to prevent it… but it was not in their power to change this fate. Cirdan knew it and fulfilled his duty to stay, build new white ships and leave only on board of the Last Ship.

***

Amroth and Nimrodel

Here I would like to briefly mention two notable characters who left Middle-earth for Valinor during the Third Age. The first was King Amroth, son of Amdir of Lorien (who fell in the Dead Marshes during the War of the Last Alliance). Amroth fell in love with a maid of the Silvan Elves named Nimrodel, and she loved him back, but would not marry him unless they could leave in peace.

In Middle-earth this was now impossible (as the Balrog recently awoke in the nearby Moria). Thus, Amroth and Nimrodel agreed they would sail to Valinor from Edhellhond in Gondor, the only Elven haven in the south. But during the journey, they became separated and Amroth reached the harbour first. There he found out only one white ship was left, and the sailors were eager to embark. However, they agreed to wait till Nimrodel’s party arrived.

One night a great storm hit the coast and wind swept the ship out the haven. When Amroth, who had been sleeping onboard, realised the ship would soon enter the Straight Road, he jumped into the sea and tried to swim to the shore, but the current was too strong and he drowned. Nimrodel’s fate remains unknown, though the pair was presumably reunited in Valinor.

In this part of Gondor, called Dol Amroth in Amroth’s honour, there existed a legend concerning an Elven handmaiden accompanying Nimrodel. Her name was Mithrellas, and she supposedly got lost in the woods but a Numenorean lord, Imrazôr, found her and they fell in love. They married and had two children. The son became the first Prince of Dol Amorth, a noble house of Gondor which survived into the Fourth Age. When Mithrellas gave birth to a daughter, she ran away one night and vanished, never to be seen again. We do not know if this tale is true, but centuries later, Legolas recognised that the current Prince of Dol Amroth, Imrahil, had elven blood in his veins. (This legend reminds me of the swan-maiden stories found from real-world folklore).

***

Celebrían

Another prominent person to leave Middle-earth for Valinor in the Third Age was Celebrían, daughter of Galadriel and Celeborn, wife of Elrond and mother of Elrohir, Elladan and Arwen. In the year 2509 of the Third Age, while traveling from Rivendell to Lorien, to visit her parents, Celebrían was ambushed by orcs at the Redhorn Pass (the one Fellowship of the Ring attempted to cross but had to turn back because of snow storm). She was tortured and wounded with a poisoned weapon. Her sons Elladan and Elrohir tracked the orcs down and rescued Celebrían. She was brought to Rivendell, where Elrond healed her body, but she did not recover in mind – there was no cure for that in Middle-earth, and left for the Undying Lands one year later.

***

The Keepers of the Three Rings: Galadriel, Elrond, Gandalf

The Ring-bearers: Frodo, Bilbo and Samwise

After the One Ring was destroyed and Sauron was defeated, the Three Rings lost their power. The Elves accepted their time in Middle-earth was over, and that the time of men had came. Their keepers would return to Valinor. Tolkien wrote that “with the downfall of ‘Power’ their little efforts at preserving the past fell to bits. There was nothing more in Middle-earth for them, but weariness. So Elrond and Galadriel depart”.

Thus, in the Autumn of Third Age 3021, Elrond and Galadriel rode to the Grey Havens, where Cirdan had a ship prepared for them. They were accompanied by many Elves from Rivendell, such as Gildor, and from Lorien. Gandalf (and his horse Shadowfax) were also departing.

Bilbo and Frodo, who were Ring-bearers of the One Ring, were – by the grace of the Valar – allowed to accompany them, as they were both affected by the Ring and would not find peace and happiness in Middle-earth because of it. Frodo also suffered from the Morgul-wound the Witch-king gave him at the Weathertop. Sam Gamgee was also granted this right, as he had been a Ring-bearer too, though for a short time.

However, Sam sailed only many years later, after he had 13 children with Rose Cotton and was elected Mayor of Michel Delving in the Shire for seven terms. Sam sailed west in the year 61 of the Fourth Age, but before his departure he entrusted the Red Book (containing The Hobbit and LOTR) to his daughter Elanor.

Hobbits were human, so coming to the Undying Lands would not make them immortal – but Frodo, Bilbo and Sam would live there for a long time, in happiness they would never find in Middle-earth. Gandalf was returning home, his mission complete. Elrond would be reunited with his father Earendil, his mother Elwing and his wife Celebrian. Galadriel would meet her father Finarfin and her long-unseen siblings. Galadriel, the last leader of the Noldor rebellion remaining in Middle-earth would finally accept the days of the Elves are over and that the Elves have to let go of the past. When Frodo brought the One Ring to Lorien, Galadriel faced one final temptation – if she took it, perhaps she would achieve what the Noldor had always desired?

‘And now at last it comes. You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair!”

She lifted up her hand and from the ring that she wore there issued a great light that illuminated her alone and left all else dark. She stood before Frodo seeming now tall beyond measurement, and beautiful beyond enduring, terrible and worshipful. Then she let her hand fall, and the light faded, and suddenly she laughed again, and lo! she was shrunken: a slender elf-woman, clad in simple white, whose gentle voice was soft and sad. ‘I pass the test’, she said. ‘I will diminish, and go into the West and remain Galadriel.’ (from The Lord of the Rings by J.R.R. Tolkien)

Galadriel passed this one final test and finally could return home.

Besides Frodo, Sam and Gandalf two other members of the Fellowship would also sail West – Legolas and Gimli, who did so after Aragorn’s death. The first one felt strong sea-longing that would touch all Elves in those final days of their kind, as the Eldar were fading away. The second one accompanied him out of friendship, and reached Valinor as first and perhaps the only of the Dwarves. Perhaps he met Aulë, the Smith of the Valar, who created the Dwarven kind.

With the departure of Frodo’s White Ship on September 29, 3021, the Third Age came to an end. The Lord of the Rings describes this event as follows:

Then Frodo kissed Merry and Pippin, and last of all Sam, and went aboard; and the sails were drawn up, and the wind blew, and slowly the ship slipped away down the long grey firth; and the light of the glass of Galadriel that Frodo bore glimmered and was lost. And the ship went out into the High Sea and passed on into the West, until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. (from The Lord of the Rings by J.R.R. Tolkien)

At some point in the Fourth Age, the Last Ship sailed West from the Grey Havens. On its board was Galadriel’s husband Celeborn, and Cirdan the Shipwright himself, about to finish his Great Journey at last. With their passing the last remaining witnesses of the Elder Days left Middle-earth forever.

The Silmarillion ends with another description of the passage of the White Ship Bilbo, Frodo, Galadriel, Elrond and Gandalf sailed on. I think it is is a very fitting conclusion to this essay.

White was that ship and long was it a-building, and long it awaited the end of which Círdan had spoken. But when all these things were done, and the Heir of Isildur had taken up the lordship of Men and the dominion of the West had passed to him, then it was made plain that the power of the Three Rings also was ended, and to the Firstborn the world grew old and grey. In that time the last of the Noldor set sail from the Havens and left Middle-earth for ever. And latest of all the Keepers of the Three Rings rode to the Sea, and Master Elrond too there the ship that Círdan had made ready. In the twilight of autumn it sailed out of Mithlond, until the seas of the Bent World fell away beneath it, and the winds of the round sky troubled it no more, and borne upon the high airs above the mists of the world it passed into the Ancient West, and an end was come for the Eldar of story and of song. (from The Silmarillion by J.R.R. Tolkien)

I hope now you understand a little better what it means to “sail west” in a fantasy story. Thank you for reading! Namárië!

Bluetiger

***